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Artist: | DoelenKwartet |
Title: | Wiesemann / Veress Hungarian Folksong SACD CD |
Label: | |
Released: | 05/01/2018 |
Please note this release date may be subject to change and also stock arrival can be subject to delays, in particular if this is an overseas release. |
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Format: | SACD (Super Audio Compact Disc) |
Country | Germany |
Barcode: | 809548017125 |
Catalogue number: | CYBL9SACD |
SKU: | WA-36824939 |
Condition: | BRAND NEW & SEALED |
The items we sell are brand new and unused official releases supplied to us by record companies, unless stated otherwise in the listing. Generally all items are sealed (this will be stated in the listing title). Occasionally we may open an LP to confirm any colour variant. We sometimes sell used items, this will be shown in the listing. | |
Genre: | Spoken Word , Interview |
Streichquartett Nr. 1 (1931) | 16:58 | |
Streichquartett Nr. 2 (1937) | 27:21 | |
Streichtrio (1954) | 20:31 | |
Sándor Veress Liest Gesang Und Musik In Den Ungarischen Dörfern, Teil I | ||
2-1 | Folk-music Traditions Of Hungarian Village Residents | |
2-2 | Laments For The Dead As Examples Of Vocal Music In Male Communities | |
2-3 | In Our Time Art And Music Totally Devoid Of Organic Associations To The Wider World | |
2-4 | Music Has Lost Its Connection To Life | |
2-5 | Béla Bartók: Escape Into Man Kind, Experiencing An Intact, Integrated Culture | |
2-6 | The Old Ways And Their Histories, Influences And Roots | |
2-7 | Oral Tradition Dating Back More Than 3000 Years | |
2-8 | Defining Characteristics Of The Old Hungarian Style | |
2-9 | Introduction To A Field Recording From Kalotaszeg, Transylvania | |
2-10 | Song "Virág ökröm" | |
2-11 | Song "Édesanyám Volt Az Oka Mindennek" | |
2-12 | In Moldavia: Background Information On The Csángo | |
2-13 | Three Songs From A Set Of Dance Songs: Analysis, Information, Texts | |
2-14 | Song "Kisétálék Kis Kertembe..." | |
2-15 | Song "Menyecske, Menyecske..." | |
2-16 | Song "Piros, Piros Szekfü.." | |
2-17 | Transylvania, A Treasure Trove Of Folk Ballads | |
2-18 | One Of The Best-known Székler Folk Ballads In Its Csángo Incarnation | |
2-19 | Ballad "The Story Of Molnár Anna" | |
2-20 | Folk Ballads Extraordinary Genuine Stories: The Ballad Of Fehér László | |
2-21 | Two Hungarian Versions Of The Ballad In Old Style | |
2-22 | Ballad "Fehér László" (version 1) | |
2-23 | Ballad "Fehér László" (version 2) | |
2-24 | Koós József, A Master Shepherd From Borsosberény | |
2-25 | Free Improvisation On The Bagpipes | |
2-26 | Free Improvisation On The Shepherd's Flute | |
2-27 | Two Versions Of A Song In Free Rubato Style | |
2-28 | Song "Dudaszó Hallatszik" (version 1, Voice) | |
2-29 | Song "Dudaszó Hallatszik" (version 2, Flute) | |
2-30 | Song With Bagpipes: Subject Matter | |
2-31 | Song "Aki Dudás Akar Lenni (version 7, Voice) | |
2-32 | Song "Aki Dudás Akar Lenni (version 2, Bagpipes) | |
2-33 | A Pig Farmer's Song Characteristics, Subject Matter | |
2-34 | A Pig Farmer's Song "Megy A Kanász A Parton..." (version 1, Voice) | |
2-35 | A Pig Farmer's Song "Megy A Kanász A Parton..." (version 2, Bagpipes) | |
2-36 | Most Instruments Are Skillfully Handcrafted (hurdy-gurdy, Zithers, Etc.) | |
2-37 | Musical Examples With Hurdy-gurdy And Zither: Introduction To Celebrated Folk And Dance Songs In Old Style | |
2-38 | Song "Tula Tiszán, Átokházán Születtem..." (version 1, Voice) | |
2-39 | Song "Tula Tiszán, Átokházán Születtem..." (version 2, Hurdy-gurdy) | |
2-40 | Song "Tul A Tiszán, Átokházán Születtem..." | |
2-41 | Dance Melody In Dorian Mode | |
2-42 | Dance Melody "Cigány, Cigány Mér Vagy Cigány..." (version 1, Voice) | |
2-43 | Dance Melody "Cigány, Cigány Mér Vagy Cigány..." (versions 2 And 3, Hurdy-gurdy) | |
2-44 | Song In Tempo Giusto, In Old Style, Three Versions | |
2-45 | Song "Azt Hittem, Hogy Nem Kellek Katonának..." (version 1, Voice) | |
2-46 | Song "Azt Hittem, Hogy Nem Kellek Katonának..." (version 2, Hurdy-gurdy) | |
2-47 | Song "Azt Hittem, Hogy Nem Kellek Katonának..." (version 3, Zither) | |
Sándor Veress Liest Gesang Und Musik In Den Ungarischen Dörfern, Teil II | ||
3-1 | The Same Group With Three Versions Of Another Song | |
3-2 | Song "Áristombade Kemények Az ágyak..." (version 1, Voice) | |
3-3 | Song "Áristombade Kemények Az ágyak..." (version 2, Zither) | |
3-4 | Song "Áristombade Kemények Az ágyak..." (version 3, Hurdy-gurdy) | |
3-5 | A Peculiar Instrument: The So-called"long Flute" | |
3-6 | Song In Old Style "Szerelem, Szerelem, átkozott Gyötrelem.." (version 1, Long Flute) | |
3-7 | Song In Old Style "Szerelem, Szerelem, átkozott Gyötrelem.." (version 2, Voice) | |
3-8 | Song In Old Style "Szerelem, Szerelem, átkozott Gyötrelem.." (version 3, Long Flute) | |
3-9 | Differences Between The New And Old Styles: Sound And Melodies | |
3-10 | Introduction To Songs In The New Style Of Hungarian Folk Music | |
3-11 | Example Of A Song In New Style. An Example Of A Pattern Melody, Something New Rooted In Something Old | |
3-12 | A Colourful Collection Of New Songs | |
Mirjam Wiesemann Im Gespräch Mit Claudio Veress, Dem Sohn Des Komponisten | ||
3-13 | With Claudio Veress In The Music Room Of Lerbermatt High School In Bern | |
3-14 | The Eventful Career Of His Father Sándor Veress | |
3-15 | Retreat: The Composer's Studio On The Gerechtigkeitsgasse | |
3-16 | His Father's Letters From America And Australia: Icons Of His Childhood | |
3-17 | The Late 1940s: No Way To Relocate To The USA - Communist-party Membership Undesirable | |
3-18 | Claudio Veress The Student - His Father Allowed Him To Have A Say In His Approach To Homework | |
3-19 | The String Quartets And The String Trio: Sándor Veress And The Hungarian String Quartet | |
3-20 | The Many Stations Of Sándor Veress On His Path Into Exile | |
3-21 | 1930: Field Research In Moldavia I | |
3-22 | Berlin 1933: New Impulses From The '20s In The Realms Of Music Education And Public Education | |
3-23 | London, An Education Project And The Tradition Of Early-childhood Education | |
3-24 | Enid Blake, The First Wife Of Sándor Veress | |
3-25 | Ilse von Alpenheim: Mother Of Claudio Veress And Advocate Of The Piano Music Of Sándor Veress | |
3-26 | Electric: Sándor Veress And His Special Affinity For Painting, As Well As His Synaesthesia Spoken Word | |
3-27 | Claudio Veress And The Continuation Of A Family Tradition. Roots, Exile, Finding His Own Calling | |
3-28 | In The Household Of A Historian: The Father Of Sándor Veress | |
3-29 | Sándor Veress And His Concept Of Music | |
3-30 | 1930 Field Research In Moldavia II | |
3-31 | The Special Relationship Between Sándor Veress And Béla Bartók | |
3-32 | From Folk Traditions To Twelve-tone Music Broad European Horizons | |
3-33 | Teacher-pupil Relationships: Veress - Ligeti, Holliger | |
3-34 | The Second Half Of His Life, In Exile: To A Certain Extent, Isolated Artistically | |
3-35 | The Personal Musical Language Of Veress | |
3-36 | Art And Liberty: "Art Is Not A Police State" | |
3-37 | Back To The Roots: Claudio Veress And His Hungarian Origins | |
3-38 | His Grandfather And The Spirit Of Engineering - Gyroscope And Märklin Model Railroads | |
3-39 | Passionate About Visual Art And Literature | |
3-40 | Existential Questions | |
3-41 | The Composer's Final Two Years | |
3-42 | Spreading Awareness Of His Works In Switzerland And Abroad | |
3-43 | Sándor Veress And Personal Restraint Promoting Himself Was The Last Thing On His Mind | |
3-44 | Folk Music In Moldavia: Has It Become A Thing Of The Past In The Meantime? |
dispatched in | 1-2 Weeks |
format | SACD |
year of release | 2017 |
condition | new |
genre | Non Music |
genre | Interview |
genre | Spoken Word |
genre | Classical |
genre | Stage and Screen |
artist | DoelenKwartet |
artist | Sándor Veress |
label | Cybele Records |
Country | Germany |
Recently In Stock | No |
Forthcoming | No |
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