| Arrival | |
| 1-1 | A1M1 Take 6: Arrival | 2:19 |
| 1-2 | A1M2 Take 4: Arrival | 1:54 |
| 1-3 | M90 Take 1: Arrival Eerie BG | 0:44 |
| 1-4 | Experiments In Space: Part 1 - 1: Vega | 0:32 |
| 1-5 | Party Dress | 2:22 |
| 1-6 | A1M7 Take 1: "Welcome Home" Card | 0:34 |
| 1-7 | A2M1 Take 4: Prisoner About To Enter No 2's House For 1st Time - Pop Goes The Weasel | 0:41 |
| 1-8 | A2M2 Take 1: P Goes Into No 2's Office First Time | 0:40 |
| 1-9 | Industrial Vortex | 1:15 |
| 1-10 | A2M4 Take 3: Helicopter Descends After No 2 Tour With P Round Village, Old Peoples Home | 0:48 |
| 1-11 | A3M4 Take1: P Smashes Toy After Test In Labour Exc | 0:22 |
| 1-12 | Moon Lullaby | 3:25 |
| 1-13 | Petite Valse De Concert [Little Concert Waltz] | 3:03 |
| 1-14 | A4M2 Take 3: P Out Of House, Gardener (Identical), Bushes, Rover, Control, Arrive At Beach | 2:30 |
| 1-15 | A4M3 Take 3: Beach Fight - Rover Overcomes Prisoner | 1:53 |
| 1-16 | A4M4 Take 8: "Boys + Girls Come Out To Play" | 0:41 |
| 1-17 | Through Alarm Bell "Cobb Dead" | 0:13 |
| 1-18 | A5M2 Take 2: P Out Hospital, Cards, Taxi, No 2's Office | 1:03 |
| 1-19 | A5M3 Take 2: Radezsky [sic] March | 1:50 |
| 1-20 | Freedom Of The City | 2:47 |
| 1-21 | Double X | 2:28 |
| 1-22 | 1-9: "Pop" Three ("Pop-Weasel" - Piano, Cymbal, Trill, Drum) | 1:27 |
| 1-23 | A6M1 Take 2: "What Shall We Do With The Drunken Sailor?" | 0:10 |
| 1-24 | A6M2 Take 4: P Leaves Girl, Gets To Helicopter | 2:00 |
| 1-25 | A6M3A Take 2: No 2 Orders, Take Over Of Helicopter As P Tries To Escape | 1:18 |
| 1-26 | A6M4 Take 2: P Out Of Helicopter, Rover, "Residents Only" | 0:44 |
| Once Upon A Time | |
| 1-27 | Almeria | 3:56 |
| 1-28 | M13 Take 2: 'Degree Absolute!' | 0:09 |
| 1-29 | M1 Take 3: Sleep Music | 2:13 |
| 1-30 | M2 Take 1: Go For Walkies | 2:01 |
| 1-31 | M15 Take 1: Light Stings | 0:17 |
| 1-32 | M33 Take 1: Short Nursery Phrase - Boys + Girls | 0:20 |
| 1-33 | M4 Take 1: Schooldays + Graduation Day | 0:43 |
| 1-34 | M5 Take 2: Head's Study (Organ) + Prior To Breakfast | 1:24 |
| 1-35 | M3 Take 2: Struggle | 0:32 |
| 1-36 | M16 Take 1: Lights On + Off - Beginning To Like! | 0:27 |
| 1-37 | M10 Take 2: Pat Enters Secret Service | 0:40 |
| 1-38 | M12 Take 1: Court Of Justice + Gavel | 0:16 |
| 1-39 | Off Beat Moods Part 1 - 3: Dramatic, Sustained | 0:37 |
| 1-40 | M14 Take 1: Kill Me! | 0:43 |
| 1-41 | M11 Take 2: German POW March | 0:41 |
| 1-42 | M6 Take 1: Serious Organ | 1:00 |
| 1-43 | M7 Take 1: Light Organ | 1:56 |
| 1-44 | M8 Take 1: Clock - Only 2 Mins | 2:39 |
| 1-45 | M9 Take 1: Aftermath - Deserted Nursery | 0:36 |
| A. B. And C. | |
| 1-46 | M32 Take 2: No 1 Menace | 0:17 |
| 1-47 | M31 Take 2: Warning To No 14 | 0:09 |
| 1-48 | M26 Take 1: P Sees No 14 On Screen | 0:27 |
| 1-49 | M28 Take 1: P Enters Dream | 0:26 |
| 1-50 | Capricieuse [Capricious] | 2:53 |
| 1-51 | M17 Take 3: Fight 'A' | 0:54 |
| 1-52 | Berceuse Pour Isabelle [Lullaby For Isabelle] | 2:02 |
| 1-53 | Promenade Dans Paris: Rue De La Paix [Walk In Paris: Rue De La Paix] | 0:58 |
| 1-54 | Eastside - 2: Suspense In Rhythm | 0:48 |
| 1-55 | M22 Take 1: Danse of P + 'B' Waltz | 1:25 |
| 1-56 | M18 Take 2: Fight B | 0:35 |
| 1-57 | M30 Take 2: Mark On Wrist | 0:09 |
| 1-58 | M23 Take 2: Following No 14 - Ending Stings | 1:32 |
| 1-59 | M21 Take 1: Discovery In Laboratory | 0:53 |
| 1-60 | M29 Take 1: 'Be Seeing You?' | 0:07 |
| 1-61 | Lullaby | 1:57 |
| 1-62 | Bienvenue Mister Jones [Welcome Mister Jones] | 2:09 |
| 1-63 | M25 Take 1: Conga | 2:08 |
| 1-64 | Promenade Dans Paris: Bords De La Seine [Walk In Paris: Bords De La Seine] | 0:48 |
| 1-65 | M27 Take 1: P Convulses On Stretcher | 0:20 |
| 1-66 | M24A Take 1: Can Can | 0:47 |
| 1-67 | M24 Take 1: Nightmare Noise To Accompany Can Can | 0:24 |
| 1-68 | M19 Take 2: Walk Down French Street (Western Style) | 1:18 |
| 1-69 | M20 Take 1: Off Mask + Defeat No 2 | 0:40 |
| Opening Titles | |
| 2-1 | B1M1 Take 7: Standard | 1:51 |
| 2-2 | B1M2: Take 2: Standard | 1:20 |
| The General | |
| 2-3 | M33 Take 4: Intro To Village | 0:26 |
| 2-4 | M34 Take 1: Prisoner Suspicious Of No 12 | 0:22 |
| 2-5 | M35 Take 2: Chase Professor + Discover Radio | 1:10 |
| 2-6 | M36 Take 1: Prof Falls Down. Sting | 0:13 |
| 2-7 | M37 Take 2: P In Buggy Taken Home | 0:22 |
| 2-8 | New Tannoy Take 1 | 0:11 |
| 2-9 | M38A Take 1: Speed Chimes 'B' (Longer) | 0:32 |
| 2-10 | Drumdramatics: No 2 - 4: Dream Vibrato, Rising And Falling | 0:39 |
| 2-11 | Electro Mind | 0:45 |
| 2-12 | M39 Take 1: P's Historic Recital | 0:42 |
| 2-13 | M42A Take 1: Destroy General (Alternative Without Guitar) | 0:40 |
| 2-14 | M41 Take 1: P Discovers Radio Gone | 0:46 |
| 2-15 | M42 Take 1: Destroy General | 0:40 |
| 2-16 | M43A Take 1: Band Plays Waltz | 1:51 |
| 2-17 | A4M4 Take 1: WJ Version 'Boys + Girls' | 0:42 |
| 2-18 | M44 Take 1: P Enters Interior Prof's House | 2:00 |
| 2-19 | M45 Take 1: The Two Busts | 0:13 |
| 2-20 | M46 Take 1: P Strikes Professor | 0:25 |
| 2-21 | M47 Take 2: Track To P's Bust | 0:11 |
| 2-22 | M47A Take 1: Carnival | 2:05 |
| 2-23 | M48 Take 1: 'Report!' Dramatic Playout | 0:15 |
| 2-24 | M49 Take 1: Sweet Village Music | 1:05 |
| 2-25 | M50 Take 1: Officials Assemble | 0:27 |
| 2-26 | M51 Take 2: Micro-Lectures | 0:53 |
| 2-27 | M52 Take 1: P Joins Cue | 0:17 |
| 2-28 | M53 Take 3: Hand Call, Clobber | 0:13 |
| 2-29 | M54 Take 1: Move In Closer | 0:29 |
| 2-30 | M55 Take 1: P Clobbered. Sting | 0:09 |
| 2-31 | Electronic Screams | 0:33 |
| 2-32 | M56 Take 2: Intro To General - Fanfare | 0:11 |
| 2-33 | M57 Take 1: Traitor In Village | 0:43 |
| 2-34 | M58 Take 1: End Explosions | 2:38 |
| Free For All | |
| 2-35 | Hemisphere Sud [Southern Hemisphere] | 1:23 |
| 2-36 | M34B Take 2: Elms March | 2:23 |
| 2-37 | M59 Take 1: Play In To No 6's Residence | 0:13 |
| 2-38 | M60 Take 1: Pat Ignores Taxi - Sees Village Map | 1:26 |
| 2-39 | M43C Take 1: Free March | 1:51 |
| 2-40 | M61 Take 1: Sting As P Sees Second Reporter. Rover Approaches. Call To Council | 1:14 |
| 2-41 | M62 Take 2: Pat's First Twizzle Round | 0:17 |
| 2-42 | M63 Take 1: Rostrum Revolves + Descends | 0:43 |
| 2-43 | M64 Take 1: Pat In Red Chamber | 0:38 |
| 2-44 | M65 Take 3: P Dash From Maid, Motorboat Fight | 2:57 |
| 2-45 | M66 Take 1: Rover Takes Pat | 1:54 |
| 2-46 | M70 Take 1: Opening - Night Club Music | 0:12 |
| 2-47 | M70 Take 1: Night Club Music | 1:39 |
| 2-48 | M67 Take 1: Pat The Victor | 1:32 |
| 2-49 | M68 Take 3: P Shouts To Village + Beat Up | 1:48 |
| 2-50 | M69 Take 1: P Stretcher Back Home | 0:50 |
| Hammer Into Anvil | |
| 2-51 | M71 Take 1: Opening On Hospital. Girl In Bed | 0:14 |
| 2-52 | M72 Take 3: P Finds Girl Jump Out Of Window - Three Men Bring Pat In | 1:58 |
| 2-53 | M73 Take 1: Shopkeeper Reports To No 2 | 0:37 |
| 2-54 | M74 Take 1: Pat Follows No 2's Aide To Home | 0:50 |
| 2-55 | M75 Take 1: No 2 + Aide Follow P To Boat | 2:32 |
| 2-56 | M76 Take 1: Band's Version Of Bizet | 0:47 |
| 2-57 | M77 Take 1: P Walks By Graves | 0:36 |
| 2-58 | M85 Take 2: Two Versions 'Happy Birthday' | 0:25 |
| 2-59 | M78 Take 2 Wild: Break Conspiracy - Playout | 0:10 |
| 2-60 | M83 Take 1: Play In - Hammer | 0:20 |
| 2-61 | Osaka | 1:32 |
| 2-62 | Kabuki | 0:37 |
| 2-63 | Chappell's Changing Scenes No 3 - 5: Gong Crash | 0:19 |
| 2-64 | M84 Take 1: Plan Hatching | 0:21 |
| 2-65 | M79 Take 1: It's A Bomb | 1:46 |
| 2-66 | M80 Take 1: Cuckoo Phrase | 0:10 |
| 2-67 | M81 Take 2: P Sets Off Pigeon - Tracked + Killed | 1:27 |
| 2-68 | CM2 Wild Take 1 | 4:00 |
| 2-69 | M82 Take 2: Breakdown Of No 2. Playout | 0:28 |
| Arrival (Extended Opening Titles) | |
| 3-1 | A1M1 Take 4: Arrival | 2:20 |
| Checkmate | |
| 3-2 | Minuet In F | 2:48 |
| 3-3 | Orbit | 2:39 |
| 3-4 | W/T 2: Celeste Theme + Chords | 0:18 |
| 3-5 | Drumdramatics: No 3 - 2: Double Drumbeat - Crescendo | 0:36 |
| 3-6 | Harp Interludes Part 2 - 9: Intense - Dramatic | 0:49 |
| 3-7 | Without Hope (aka Desolation) | 0:51 |
| 3-8 | Extra Drums | 0:07 |
| 3-9 | Faith | 3:17 |
| 3-10 | Attente [Waiting] | 1:49 |
| 3-11 | W/T 3: Celeste Chords | 0:29 |
| 3-12 | Spaceways | 3:12 |
| 3-13 | Zero Minus Sixty | 1:19 |
| Dance Of The Dead | |
| 3-14 | Pavane | 2:14 |
| 3-15 | Drumdramatics: No 2 - 1: Music Box Effect | 0:31 |
| 3-16 | Les Chats Dansent [The Cats Dance] | 3:49 |
| 3-17 | Univers Sideral | 2:30 |
| 3-18 | CM3 Wild Take 1 | 2:17 |
| 3-19 | Lonely Flute | 1:36 |
| 3-20 | Harpsichord Links 2: Slow Tempo | 0:34 |
| 3-21 | Harpsichord For Drama No 1 - 3: Dramatic-Slow. Harpsichord, Bass And Drums | 0:36 |
| 3-22 | Cue For Murder 2: Harpsichord | 0:18 |
| 3-23 | Harpsichord For Drama No 1 - 4: Very Fast Jazz. Harpsichord, Bass And Drums | 0:53 |
| 3-24 | Cue For Murder 1 | 0:35 |
| The Chimes Of Big Ben | |
| 3-25 | The Awkward Squad | 3:08 |
| 3-26 | "Pop Goes The Weasel" ("Pop-Weasel" - Piano) | 1:28 |
| 3-27 | Radio Location | 1:45 |
| 3-28 | A1M2 Take 2: From P Wake From Gassing To Taxi Girl | 3:15 |
| 3-29 | Berceuse A L'Enfant [Lullaby For A Child] | 2:30 |
| 3-30 | Birth Of Rover | 0:32 |
| 3-31 | Series One: 2: Romantic Theme With Sad Atmosphere | 0:34 |
| 3-32 | Here Comes The Band | 2:47 |
| 3-33 | Forêt Tropicale [Tropical Forest] | 2:39 |
| 3-34 | National Unity March | 2:29 |
| 3-35 | Smiles 'n' Chuckles | 2:47 |
| 3-36 | Ionosphere | 3:07 |
| The Schizoid Man | |
| 3-37 | Complainte [Lament] | 2:07 |
| It's Your Funeral | |
| 3-38 | M39A Take 3: P's Historic Recital | 0:41 |
| 3-39 | M89 Take 2: Funeral Fanfare | 1:16 |
| A Change Of Mind | |
| 3-40 | Enfer [Hell] | 2:20 |
| Many Happy Returns | |
| 3-41 | Ocean | 2:56 |
| Do Not Forsake Me Oh My Darling | |
| 4-1 | M107 Take 1: Opening 'Bonnie' Phrase | 0:17 |
| 4-2 | M108 Take 2: 'It Won't Be Long Now' | 0:24 |
| 4-3 | M95 Take 3: Wake Up + Discovery | 1:41 |
| 4-4 | M96 Take 2: Janet Arrives - Mirror Smash | 3:29 |
| 4-5 | M97 Take 1: Janet Sees Her Father | 1:08 |
| 4-6 | M98 Take 1: Superior Official Inspects P | 1:43 |
| 4-7 | M99 Take 1: No Use - P Away From Office + Funeral Man | 1:44 |
| 4-8 | Uptown Jazz | 2:17 |
| 4-9 | Hipster | 1:25 |
| 4-10 | The Dark Room | 2:12 |
| 4-11 | M100 Take 1: P In Garden With Janet | 2:25 |
| 4-12 | M101 Take 2: P Collects Photos | 2:30 |
| 4-13 | M102 Take 1: P Fits Slides Into Projector | 1:35 |
| 4-14 | M103 Take 2: Kandersfelt! | 0:33 |
| 4-15 | Café Au Lait | 1:14 |
| 4-16 | Swiss Polka | 1:35 |
| 4-17 | M104 Take 2: P + Prof In Barbershop | 2:08 |
| 4-18 | M105 Take 1: Potter Towards Shop | 0:30 |
| 4-19 | M109 Take 1: Ah Colonel! | 3:13 |
| 4-20 | M106 Take 3: Prof Dies | 0:38 |
| Living In Harmony | |
| 4-21 | 1M1 Take 3: P Resigns, Is Punched Up | 1:45 |
| 4-22 | 1M1a Take 1: P Brought Into 'Harmony' | 0:27 |
| 4-23 | 1M2 Take 2: P Socks The Kid | 0:44 |
| 4-24 | 1M3 Take 4: P Rejects Judge's Proposition | 1:01 |
| 4-25 | 2M1 Take 1: Kid Looks After P In Cell. Playout | 0:15 |
| 4-26 | 2M2 Take 2: P In Jail, Kid On Guard Plays Cat + Mouse | 1:36 |
| 4-27 | W/T M6 Take 1: Honky Tonk Slow | 1:04 |
| 4-28 | Honky Tonk Extra Roll: Slow | 1:14 |
| 4-29 | 3M1 Take 2: P Leaves Town, Is Lassoed + Brought Back | 1:02 |
| 4-30 | 3M2 Take 1: Kathy Is Tried + Juged | 1:29 |
| 4-31 | 3M3 Take 2: Kid Shoots P's Cheek + Hand | 0:41 |
| 4-32 | 3M4 Take 1: Kid Watches Kathy Pace | 0:35 |
| 4-33 | 3M5 Take 2: Kid Lets Kathy Out Of Jail | 0:43 |
| 4-34 | 4M1 Take 2: The Big Unarmed Fight | 2:52 |
| 4-35 | W/T M5 Take 1: Honky Tonk Medium | 1:10 |
| 4-36 | Honky Tonk Extra Roll: Fast (First) | 0:47 |
| 4-37 | 4M2 Take 1: After Kid Has Shot Willy, Pat Enters | 0:51 |
| 4-38 | 5M1 Take 2: Dead Man At Pat's Desk | 0:44 |
| 4-39 | 5M2 Take 1: P Collects An Extra Horse | 2:00 |
| 4-40 | 5M3 Take 1: Kid Strangles Kathy | 1:12 |
| 4-41 | 5M4 Take 1: P Discovers Kathy Dead | 1:43 |
| 4-42 | 6M1 Take 4: P Shoots Kid | 0:25 |
| 4-43 | 6M2 Take 1: Kid Falls To Ground | 0:24 |
| 4-44 | 6M3 Take 1: Five Seconds | 0:27 |
| 4-45 | 6M4 Take 3: P Discovers He's In Village | 1:47 |
| 4-46 | 6M5 Take 3: Kid Strangles Kathy, Then Dies | 1:40 |
| Commercial Break (Out) | |
| 4-47 | Leads In + Out: 3 | 0:06 |
| Commercial Break (In) | |
| 5-1 | Leads In + Out: 2 | 0:07 |
| The Girl Who Was Death | |
| 5-2 | Dramatic Harpsichord Links - 2: Slow, Ominous | 0:18 |
| 5-3 | Blast Off | 2:23 |
| 5-4 | Psychedelic Portrait | 2:01 |
| 5-5 | The Whistler (aka Le Siffleur) | 2:36 |
| 5-6 | Stings 9: Shivers, 3 Mounting Chords | 0:27 |
| 5-7 | Marche Rythmique [Rhythmic March] | 1:45 |
| 5-8 | Arabian Market | 1:30 |
| 5-9 | Fête Foraine [Fairground] | 2:06 |
| 5-10 | Harpsichord Links 3: Slow Tempo | 0:31 |
| 5-11 | Flashes VII: Fantôme De Service [Ghost Service] | 0:36 |
| 5-12 | Stac-Flat | 3:43 |
| 5-13 | Bring On The Girls | 1:27 |
| 5-14 | Chasse A Courre [Hunting With Hounds] | 2:36 |
| 5-15 | Psychedelia | 2:27 |
| 5-16 | Fond Des Mers [Bottom Of The Sea] | 2:08 |
| 5-17 | Drumnastics No 1 - 2: Crisis | 0:18 |
| 5-18 | 1er Concert: B) Andante | 2:44 |
| 5-19 | Drumdramatics: No 2 - 3: Death Knell; Chimes And Drumbeat | 0:31 |
| 5-20 | Catch That Man! | 1:34 |
| 5-21 | Drumdramatics: No 1 - 5: Side Drum Roll; Continuous | 0:20 |
| 5-22 | Irish Harp Themes - 1: Londonderry Air | 1:25 |
| 5-23 | They Are Coming | 2:27 |
| 5-24 | Drumdramatics: No 1 - 6: Tympani Roll; Continuous | 0:20 |
| 5-25 | Stings - 3: Ominous, 4 Mounting Chords | 0:33 |
| Fall Out | |
| 5-26 | Drumdramatics: No 1 - 1: Rolling Tympani With Beat | 0:54 |
| 5-27 | Drumnastics No 3 - 3: Reverse Space Waves | 0:12 |
| 5-28 | September Ballad | 1:48 |
| 5-29 | W/T M3 Take 1: Dry Bones | 1:12 |
| 5-30 | Lost In Atlantis | 1:22 |
| 5-31 | Marche Funèbre [Funeral Parade] | 0:22 |
| 5-32 | Lunar Landscape | 2:41 |
| 5-33 | Rag March | 2:19 |
| 5-34 | W/T 1: Low Timp - Slow | 0:30 |
| 5-35 | Toccata | 3:07 |
| 5-36 | End Titles | 1:09 |
| Alternate And Unused Takes And Sound Effects | |
| Fall Out - Albert Elms | |
| 5-37 | W/T M1 Take 1: Dry Bones | 2:03 |
| 5-38 | W/T M2 Take 1: Dry Bones | 0:57 |
| 5-39 | W/T M4 Take 3: Dry Bones | 2:36 |
| Arrival (Robert Farnon Theme And Score) | |
| 6-1 | A1M1 Take 4: First Titles Section (Car Over Westminster Bridge To Door Of Boss's Office) | 0:38 |
| 6-2 | A1M1A Take 3: Second Title Section (From Boss's Office To Gassing) | 1:22 |
| 6-3 | A1M1B Take 9: Third Title Section (P Wake To Ext Village) | 0:42 |
| 6-4 | A2M1 Take 4: Prisoner About To Enter No 2's House For 1st Time - Pop Goes The Weasel | 0:39 |
| 6-5 | Sup/Imp Section x 2 | 0:11 |
| 6-6 | A2M4 Take 3: Helicopter Descends After No 2 Tour With P Round Village, Old Peoples Home | 0:44 |
| 6-7 | A3M2 Take 2: Birth Of Rover | 0:29 |
| 6-8 | A6M7 Take 1: End Act | 0:10 |
| 6-9 | A6M6 Take 5: Open Act | 0:09 |
| 6-10 | A4M2 Take 1: P Out Of House, Gardener (Identical), Bushes, Rover, Control, Arrive At Beach | 2:29 |
| 6-11 | A4M3 Take 3: Beach Fight - Rover Overcomes Prisoner | 1:50 |
| 6-12 | A4M4 Take 8: "Boys + Girls Come Out To Play" | 0:38 |
| 6-13 | 1-9: 'Pop' Three ("Pop-Weasel" - Piano, Cymbal, etc) | 1:25 |
| 6-14 | A6M1 Take 2: "What Shall We Do With A Drunken Sailor?" | 0:10 |
| 6-15 | A6M3A Take 6: No 2 Orders, Take Over Of Helicopter As P Tries To Escape | 1:17 |
| 6-16 | A1M1C Take 3: Gate Clang, Comm In-Out | 0:10 |
| 6-17 | A6M5 Take 1: End Credits | 0:45 |
| Arrival (Wilfred Josephs Theme And Score) | |
| 6-18 | A1M1A Take 4: Main Titles Part 1 - Westminster Bridge To Door | 1:10 |
| 6-19 | A1M1B Take 1: Main Titles Part 2 - Boss's Door To Gassing | 1:23 |
| 6-20 | A1M2 Take 2: From P Wake From Gassing To Taxi Girl | 3:12 |
| 6-21 | A1M7 Take 1: "Welcome Home" Card | 0:31 |
| 6-22 | A2M2 Take 1: P Goes Into No 2's Office First Time | 0:39 |
| 6-23 | A3M2 Take 2: Birth Of Rover | 0:28 |
| 6-24 | A3M4 Take 1: P Smashes Toy After Test In Labour Exc | 0:19 |
| 6-25 | A4M2 Take 4: P Out, Gardener, Rover, TV, Beach | 2:28 |
| 6-26 | A4M4 Take 1: WJ Version "Boys + Girls" | 0:39 |
| 6-27 | A5M1 Take 1: Through Alarm Bell "Cobb Dead" | 0:10 |
| 6-28 | A5M2 Take 2: P Out Hospital, Cards, Taxi, No 2's Office | 1:00 |
| 6-29 | A5M3 Take 2: Radezsky [sic] March | 1:51 |
| 6-30 | A6M1 Take 2: "What Shall We Do With Drunken Sailor?" | 0:08 |
| 6-31 | A6M2 Take 4: P Leaves Girl, Gets To Helicopter | 1:56 |
| 6-32 | A6M3 Take 1: Take Over Of Helicopter | 1:14 |
| 6-33 | A6M4 Take 2: Prisoner Out Helicopter, Rover, "Residents Only" | 0:41 |
| 6-34 | A6M5 Take 4: End Credits | 1:08 |
| Original Edit Library Tracks | |
| 6-35 | Holiday For Drums | 2:57 |
| 6-36 | UFO | 3:17 |
| 6-37 | Prelude To Doom | 2:34 |
| 6-38 | The Lathe | 2:37 |
| Ron Grainer Theme | |
| 6-39 | The Age Of Elegance | 1:51 |
| 6-40 | The Age Of Elegance: Part 2 | 1:19 |
| 6-41 | A1M1 Take 1: Arrival | 0:50 |
| 6-42 | A1M1 Take 2: Arrival | 0:59 |
| 6-43 | A1M1 Take 3: Arrival | 0:10 |
| 6-44 | A1M1 Take 5: Arrival | 0:25 |
| 6-45 | B1M1 Take 5: Standard | 0:10 |
| 6-46 | Leads In + Out: 1 | 0:04 |
| 6-47 | Twangs On Guitar | 0:05 |
| Alternate And Unused Takes And Sound Effects | |
| A. B. And C. - Albert Elms | |
| 6-48 | M19 Take 1: Walk Down French Street (Western Style) | 0:39 |
| 6-49 | M31 Take 1: Warning To No 14 | 0:06 |
| 6-50 | M Tannoy Take 1: Tannoy Preamble | 0:20 |
| The General - Albert Elms | |
| 6-51 | M38 Take 1: Speed Chimes 'A' | 0:23 |
| 6-52 | M60 Take 1: Drums Various | 0:40 |
| 6-53 | M65 Take 1: P Dash From Maid, Motorboat Fight | 1:18 |
| 6-54 | M68 Take 1: Prisoner Shouts To Village/Beat Up | 0:20 |
| 6-55 | M68 Take 2: Prisoner Shouts To Village/Beat Up | 1:43 |
| Hammer Into Anvil - Albert Elms | |
| 6-56 | M72 Take 2: P Finds Girl Jump Out Of Window - Three Men Bring Pat In | 0:20 |
| 6-57 | Tannoy Take 1: Chimes | 0:08 |
| 6-58 | M78 Take 1: Break Conspiracy - Playout | 0:07 |
| 6-59 | M81 Take 1: P Sets Off Pigeon - Tracked + Killed | 0:30 |
| 6-60 | M86 Take 1: 'Happy Birthday' Ironic Sting | 0:13 |
| 6-61 | M87 Take 2: 'Happy Birthday' Soft Sting | 0:10 |
| 6-62 | M88 Take 1: 'Happy Birthday' Sharp Sting | 0:11 |
| Unspecified - Albert Elms | |
| 6-63 | M91 Take 1: Drums | 0:11 |
| 6-64 | M91 Take 2: Drums | 0:25 |
| 6-65 | M92 Take 1: Drums | 0:13 |
| Living In Harmony - Albert Elms | |
| 6-66 | Honky Tonk Extra Roll: Fast (Second) | 0:52 |
| Arrival - Robert Farnon | |
| 6-67 | 1-1: Rover (Timpani + Bass) | 1:15 |
| 6-68 | 1-2: Theme One (Timp + Piano Strings) | 1:37 |
| 6-69 | 1-3: Big Brother (Singing Timpani) | 1:05 |
| 6-70 | 1-4: Jaws Singing Harp (Jaws Harp - Normal Speed) | 0:28 |
| 6-71 | 1-5: Screams (Siren Whistle) | 0:58 |
| 6-72 | 1-6: Frantic Jaws Harp (Jaws Harp - Half Speed) | 0:33 |
| 6-73 | 1-8: "Pop" Two ("Pop-Weasel" - Piano, Block, Snare Drum) | 1:00 |
| 6-74 | 1-10: Secondary Theme - Jazz - Slow Tempo | 1:03 |
| 6-75 | 1-11: Secondary Theme - Jazz - Fast Tempo | 0:54 |
| 6-76 | 1-12: "Pop Goes The Weasel" - Jazz (Most Orchestrated) | 1:08 |
| 6-77 | W/T 2: Low Timp - More Menace | 0:28 |
| 6-78 | W/T 3: Small Timp - Slow | 0:26 |
| 6-79 | W/T 4: Small Timp - More Menace | 0:29 |
| 6-80 | W/T5: Large Timp - Single Beats | 0:07 |
| 6-81 | W/T 2: Piano + Triangle Constant | 0:17 |
| 6-82 | W/T 3: Cymbal Various | 0:31 |
| 6-83 | A4M4 Take 3: "Boys + Girls Come Out To Play" | 0:24 |
| Arrival - Wilfred Josephs | |
| 6-84 | W/T 1: High Whine Violin | 0:44 |
| 6-85 | W/T 4: Flexatone | 0:40 |
| 6-86 | Flexatone | 0:41 |
| 6-87 | W/T 5: Bass Drums FX | 0:46 |
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