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| Artist: | Fleetwood Mac |
| Title: | Fleetwood Mac Fleetwood Mac MFSL UltraDisc One-Step 180GM VINYL 2 LP SLIPCASE 45RPM |
| Label: | |
| Released: | 12/2025 |
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Please note this release date may be subject to change and also stock arrival can be subject to delays, in particular if this is an overseas release. |
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| Format: | VINYL 2LP - SLIPCASE |
| Country | US |
| Barcode: | 821797206525 |
| Catalogue number: | UD1S 2-065 |
| SKU: | WLF24271 |
| Condition: | BRAND NEW & SEALED |
| The items we sell are brand new and unused official releases supplied to us by record companies, unless stated otherwise in the listing. Generally all items are sealed (this will be stated in the listing title). Occasionally we may open an LP to confirm any colour variant. We sometimes sell used items, this will be shown in the listing. | |
| Genre: | Classic Rock , Soft Rock |
| Categories: | Releases Announced week ending; 14-11-2025 |
Fleetwood Mac Comes into Its Own with Lindsey Buckingham and Stevie Nicks: Self-Titled Record Ranked 182nd Greatest Album of All Time by Rolling Stone, Includes “Landslide” and “Rhiannon”
Hear the 1975 Blockbuster in Reference Sound: Mobile Fidelity’s UltraDisc One-Step 180g 45RPM 2LP Box Set Is Strictly Limited to 7,500 Numbered Copies and Features Extraordinary Definition
1/4” / 30 IPS Dolby A analog master to DSD 256 to analog console to lathe
A veteran band with waning prospects, personnel churn, and management issues. A largely unknown duo whose eponymous debut flopped. An impromptu meeting in a supermarket that led to a fact-finding trip to Sound City Studios. The backstory behind Fleetwood Mac’s self-titled album is nearly as incredible as the music on the 1975 recording — a blockbuster that altered pop-rock history, and found newcomers Lindsey Buckingham and Stevie Nicks permanently changing the profile and popularity of the British ensemble.
Sourced from the original analog master tapes, pressed at Fidelity Record Pressing in California, and strictly limited to 7,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set of the nine-times-platinum effort plays with reference-level transparency, dynamics, and detail. Benefitting from stellar groove definition, an ultra-low noise floor, and dead-quiet surfaces, this vinyl edition captures what went down in the California studio with arresting presence, tube-like warmth, and sumptuous tonality.
Honoring the striking elements that make Fleetwood Mac a generations-spanning favorite, the industry-leading presentation of this UD1S version confirms the reissue's definitive standing. Housed in a gorgeous slipcase, it features premium foil-stamped jackets and faithful-to-the-original graphics. This keepsake is for listeners who want to immerse themselves in everything involved with the album, including the recognizable cover art positioning Mick Fleetwood and John McVie before a doorway — as well as a crystal ball showing their reflection. The hand-drawn script depicting the band's name is now inextricably associated with the quintet’s “White Album” and identity.
Shepherded by producer Keith Olsen, Fleetwood Mac used its studio time to cultivate and establish intra-band roles. The innate chemistry among the five musicians can be heard here in stunning clarity, the taut albeit flexible rhythms distinguished with palpable grip, the blended vocals and airy harmonies benefitting from seemingly unlimited frequency extension. The thrilling results speak to the band’s bond as well as healthy tension that led to recordings that more than five decades later remain revered for their exceptional realism, openness, textures, imaging, and soundstaging. And that says nothing about the freshness of the songs themselves.
Six of those tunes were written or co-written by Buckingham or Nicks, who lent the band — reeling from the departure of guitarist Bob Welch — a diversity, soulfulness, and breadth it lacked in the past. Then again, the romantically involved partners weren’t exactly burning up the charts on their own. Their Buckingham Nicks LP was largely ignored upon release and found the twosome questioning their futures. But fate has a weird way of operating, and rather than recruiting another six-string blues virtuoso into the mix, Fleetwood Mac called an audible.
Prompted to visit Sound City Studios after telling someone in a grocery store he needed a place to record Fleetwood Mac’s tenth album, Fleetwood heard Buckingham Nicks played back by Olsen as a demonstration of the studio’s capabilities. Unable to forget what he heard, the drummer soon invited Buckingham to join his band. Displaying his now-famous reluctance to cede any creative control, Buckingham initially hedged before accepting on one condition: He and Nicks came as a package.
That agreement stands as one of the most significant career-altering moves any band ever made. Suffice it to say Nicks’ Plan B — “we can always quit,” she reasoned to Buckingham — stayed on the backburner. After rehearsing together for just ten days and sussing out potential roles, the new iteration of Fleetwood Mac entered Sound City in January 1975 and laid down the tracks for the showstopper Rolling Stone ranks as the 182nd Greatest Album of All Time.
In many ways, Fleetwood Mac got far more than they bargained for in taking on the American duo. Buckingham and Nicks arrived loaded for bear. “Monday Morning,” “Rhiannon,” and “I’m So Afraid” had already been workshopped and penciled in for a second Buckingham-Nicks record. “Crystal” was re-purposed and re-imagined after its original inclusion of Buckingham Nicks.
Nicks also brought another recently penned song to the sessions, a beautiful gem none other than “Landslide.” McVie later admitted that the quality of material triggered a competitive spirit within her and inspired her to take her own songwriting to another level. “Warm Ways,” “Say You Love Me,” and “Over My Head” underscore that determination. Ditto her collaboration with Buckingham on “World Turning.”
Constituting the old Fleetwood Mac in name only, Fleetwood Mac is the sound and style of an entirely new entity, a rebirth, and a reward for perseverance and a little bit of chance fortune. Above all, however, the album — which peaked at No. 1 on Billboard more than a year after its street date — towers as a testament to then-novel combinations of hook-laden power pop, mystical folk, cool R&B, melodic rock ‘n’ roll and a wondrous balance of perfection and pragmatism, delicate and deliberate, mellow and maverick.
Indeed, from the ocean-swept breeziness of the opening “Monday Morning” through the optimistic vibes of the building “Over My Head” to the stacked structure of the closing “I’m So Afraid,” Fleetwood Mac contains not a single dull moment or wasted note. In short order, the band would attain even greater commercial success with the subsequent Rumours. Yet the restless energy, innovative spirit, breath-of-fresh-air newness, and across-the-board fantastic performances of Fleetwood Mac would never be surpassed.
| A1 | Monday Morning | |
| A2 | Warm Ways | |
| A3 | Blue Letter | |
| B1 | Rhiannon | |
| B2 | Over My Head | |
| B3 | Crystal | |
| C1 | Say You Love Me | |
| C2 | Landslide | |
| C3 | World Turning | |
| D1 | Sugar Daddy | |
| D2 | I'm So Afraid |
| format | Box Set | vinyl DVD CD
| Recently In Stock | Yes |
| Forthcoming | No |
A great Fleetwood mac collection
1 April 2019I remember back to the first time I heard the Rumor's album and listening to the new album it took me back to the first time that I listened to it. It was a great album back in it's first release and now it is even better with this collection box set. The album is full of all the heart break and emotions that sets this album well amongst the best ever. The emotion and pure musicality of this album just makes each and every track to be listened to, it showcases the immense talent that makes up this band. Each member contributing to make this one that you just want to keep listening to. Listening to all the albums included just shows how much emotion and hard times that the group was enduring and is shown in every single track, the sheer emotion that brings a tear to your eye as you listen and take in every nuance, note and words that allows you to be there with the group. This is a must have album for the die hard Fleetwood Mac fan and should be one that is in their collection. I can highly recommend this and is a welcome addition to my growing collection. Discrepancy records should be commended for having this great collection made available to all.
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