George Harrison Electronic Sound VINYL LP
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Fast Delivery Australia Wide
Trackable Shipping
Currently unavailable
| Artist: | George Harrison |
| Title: | George Harrison Electronic Sound BLACK VINYL LP |
| Released: | 20/02/2026 |
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Please note this release date may be subject to change and also stock arrival can be subject to delays, in particular if this is an overseas release. |
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| Format: | VINYL LP |
| Country | EU/US |
| Barcode: | 4099964011746 |
| Catalogue number: | 964011746 |
| SKU: | WLF24523 |
| Condition: | NEW |
| The items we sell are brand new and unused official releases supplied to us by record companies, unless stated otherwise in the listing. Generally all items are sealed (this will be stated in the listing title). Occasionally we may open an LP to confirm any colour variant. We sometimes sell used items, this will be shown in the listing. | |
| Categories: | Releases Announced week ending: 16-1-2026 |
Key Selling Points
Rare George Harrison solo release – A unique document of Harrison’s experimental side, first issued in 1969.
Zapple Records artefact – One of only two albums released on Apple’s avant-garde Zapple imprint.
Early Moog synthesizer exploration – Featuring George Harrison’s Moog IIIp, later used on Abbey Road.
First-person artistic statement – Cover artwork painted by Harrison himself.
Black vinyl LP reissue – Restoring a cult experimental record to its original analogue format.
Electronic Sound captures George Harrison at his most inquisitive, stepping away from traditional songcraft and into the realm of pure sonic exploration. Released in May 1969, the album was born from the Beatles’ growing fascination with avant-garde music and experimental art, a curiosity that led Apple Records to launch its short-lived Zapple subsidiary. Alongside John Lennon and Yoko Ono’s Unfinished Music No. 2: Life With the Lions, Electronic Sound stands as one of the only two documents of that bold experiment.
Rather than songs, the album presents two long-form pieces, one per side, built entirely from the raw possibilities of the Moog IIIp synthesizer. Harrison treats the instrument less as a tool for melody and more as a generator of texture, tone, and movement. The result is immersive and abstract, inviting listeners to engage without expectation or structure. It’s music that reflects process over polish — an artist testing boundaries in real time.
Adding to its significance is the album’s visual identity. The cover, painted by Harrison himself, depicts the very Moog system used to create the record, grounding the abstract sounds in a tangible, personal framework. Electronic Sound may sit outside the mainstream of Harrison’s catalogue, but it offers rare insight into the experimental impulses that shaped his work during the Beatles’ final years.
Under The Mersey Wall 18:42
No Time Or Space 25:07
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