Girls In Synthesis Sublimation VINYL LP
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Fast Delivery Australia Wide
Trackable Shipping
Currently unavailable
| Artist: | Girls In Synthesis |
| Title: | Girls In Synthesis Sublimation VINYL LP |
| Released: | 03/05/2024 |
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Please note this release date may be subject to change and also stock arrival can be subject to delays, in particular if this is an overseas release. |
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| Format: | VINYL LP |
| Country | EU/US |
| Barcode: | 5063176031914 |
| Catalogue number: | OWNITLP02 |
| SKU: | WLF20433 |
| Condition: | BRAND NEW & SEALED |
| The items we sell are brand new and unused official releases supplied to us by record companies, unless stated otherwise in the listing. Generally all items are sealed (this will be stated in the listing title). Occasionally we may open an LP to confirm any colour variant. We sometimes sell used items, this will be shown in the listing. | |
| Categories: | |
After two critically acclaimed albums (2020’s ‘Now Here’s An Echo From Your Future’ and 2022’s ‘The Rest Is Distraction’), and numerous mini-album, EP and single releases, London-based trio Girls In Synthesis return in May ’24 with their new statement; their third album ‘Sublimation’.
If you thought you knew GIS, think again… they have moved on and created a dark and intense, yet melodic, collection of songs; their take on an angular pop record. Opening song ‘Lights Out’ is split into two distinct sections; the opening a Barrett-esque vocal and guitar lament to sleep deprived anxiety which morphs, via a ‘Faust Tapes’ influenced freeform noise section, into a stomping, high intensity closing blitz.
Tracks such as ‘Deceit’, ‘We Are Here’ and ‘Picking Things Out Of The Air’ see the group at their most melodic to date, minimising some of the chaotic noise elements of their signature sound and bringing to the fore impassioned, soaring vocals and keys melodies. Their trademark, driving drums and bass foundation is particularly evident on songs ‘I Judge Myself’ and ‘Corrupting Memories’, but is counterbalanced by intense, early goth influenced keyboard lines, bringing influences from late 1970s/early 1980s into focus with the contemporary GIS intensity. Slow-burning tracks ‘I Was Never There’ and ‘The Prefix’ build up tension and atmosphere with sparse arrangements and circular, spiralling outros, while closer ‘A Damning Lesson’ sees the band return to their intense, bludgeoning wall of sound only to send it into a blur of echoing drum machine, reminiscent of the early work of Cabaret Voltaire.
Lyrically, GIS prove themselves head and shoulders above their contemporaries, leaving the pastiche sloganeering and lecturing to those wishing to preach to the converted, and reach inside to bring forth poetic and challenging analysis of the anxiety and emotional turmoil of self-reflection and human relationships. Booked in for extensive UK/EU touring throughout May and June, the band will be adapting their white-heat live show to bring subtlety and clarity to the new songs from ‘Sublimation’, losing none of their unique and intense performance in the process. Be ready…
Lights Out
Deceit
Semblance of Choice
We Are Here
Corrupting Memories
I Was Never There
Picking Things Out Of The Air
I Judge Myself
Subtle Differences
The Prefix
A Damning Lesson
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