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Artist: | Beethoven |
Title: | Ludwig van Beethoven Complete Edition CD Box Set |
Label: | |
Released: | 01/11/2019 |
Please note this release date may be subject to change and also stock arrival can be subject to delays, in particular if this is an overseas release. |
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Format: | CD BOX SET |
Country | UK, Europe & US |
Barcode: | 747313025039 |
Catalogue number: | NBOX8500250.2 |
SKU: | WA-39538352 |
Condition: | BRAND NEW & SEALED |
The items we sell are brand new and unused official releases supplied to us by record companies, unless stated otherwise in the listing. Generally all items are sealed (this will be stated in the listing title). Occasionally we may open an LP to confirm any colour variant. We sometimes sell used items, this will be shown in the listing. | |
Genre: | Classical , Classical |
Orchestral | ||
Symphonies Nos. 1 And 2 | ||
Symphony No. 1 In C Major, Op. 21 (1800) | 26:55 | |
Symphony No. 2 In D Major, Op. 36 (1801) | 35:03 | |
Symphonies Nos. 3 'Eroica' And 4 | ||
Symphony No. 3 In E Flat Major 'Eroica' (1803) | 47:13 | |
Symphony No. 4 In B Flat Major, Op. 60 (1806) | 34:26 | |
Symphonies Nos. 5 And 6 'Pastoral' | ||
Symphony No. 5 In C Minor, Op. 67 (1807-08) | 35:47 | |
Symphony No. 6 In F Major, Op. 68 'Pastoral' (1808) | 42:00 | |
Symphonies Nos. 7 And 8 | ||
Symphony No. 7 In A Major, Op. 92 (1811-12) | 41:00 | |
Symphony No. 8 In F Major, Op. 93 (1812) | 26:44 | |
Symphony No. 9 'Choral' | ||
Symphony No. 9 In D-Minor, Op. 125 'Choral' (1822-24) Text By - Friedrich Schiller | 64:52 | |
Overtures | ||
6-1 | Overture To Collin's Coriolan, Op. 62 'Corolian Overture' (1807) | 8:29 |
6-2 | Overture In C Major, Op. 115 'Zur Namensfeier' ('Name Day Celebration') (1814-15) | 7:15 |
6-3 | Leonore Overture No. 1, Op. 138 (1806-07) | 9:59 |
6-4 | Leonore Overture No. 3 Op. 72b (1805-06) | 14:23 |
Musik Zu Einem Ritterballett, WoO 1 ('Music For A Ballet Of The Knights') (1790-91) | 13:22 | |
German Dances ∙ Viennese Dances Marches | ||
11 Dances, WoO 17, Hess 20 'Mödlinger Tänze' (1819) | 19:27 | |
12 Contretänze, WoO 14 (1802) | 12:40 | |
12 Deutsche Tänze, WoO 8 (1795) | 18:41 | |
7-36 | Triumphmarsch Zum Trauerspiel Tarpeja Von Kuffner, WoO 2a, Hess 117 ('Triumphal March For The Tragedy "Tarpeja" By Kuffner') (1813) | 3:02 |
7-37 | Leonore, Act II: Introduction, WoO 2b, Hess 117 (1813) | 2:52 |
Wellington's Victory ∙ Minuets | ||
12 Menuette, WoO 7 (1795) | 27:07 | |
6 Menuette, WoO 10 (1796) Arranged By [Reconstructed for Orchestra by] - Franz Beyer | 14:13 | |
8-19 | Gratulations-Menuet In E Flat Major, WoO 3 (1822) | 3:52 |
Wellingtons Sieg Oder Die Schlacht Bei Vittoria, Op. 91 ('Wellington's Victory Or The Battle Of Vitoria') (1813) | 14:54 | |
Concerto | ||
Piano Concertos Nos. 1 And WoO 4 | ||
Piano Concerto No. 1 In C Major, Op. 15 (1795, Rev. 1801) | 37:19 | |
9-4 | Rondo In B Flat Major, WoO 6 (Before 1793) Arranged By [Completed by] - Carl Czerny | 9:37 |
Piano Concerto In E Flat Major, WoO 4 (1784) | 31:08 | |
Piano Concertos Nos. 2 And 5 'Emperor' | ||
Piano Concerto No. 2 In B Flat Major, Op. 19 (1793-98) | 29:01 | |
Piano Concerto No. 5 In E Flat Major, Op. 73 'Emperor' (1809) | 38:15 | |
10-7 | Romance Cantabile In E Minor, WoO 207, Hess 13 (Fragment) (1786/87) | 2:27 |
Piano Concertos Nos. 3 And 4 | ||
Piano Concerto No. 3 In C Minor, Op. 37 (C. 1803) | 35:07 | |
Piano Concerto No. 4 In G Major, Op. 58 (1805-06) | 34:38 | |
11-7 | Concert Finale In C Major, Hess 65 (Arr. Of Coda To Piano Concerto No. 3 In C Minor, Op. 37 - Rondo, For Piano) (C. 1809) | 0:55 |
Piano Concerto, Op. 61a Triple Concerto | ||
Piano Concerto In D Major, Op. 61a (1809) | 43:29 | |
Triple Concerto For Violin, Cello, And Piano In C Major, Op. 56 (1803-04) | 35:50 | |
Violin Concerto ∙ Romances | ||
Violin Concerto In D Major, Op. 61 (1806) | 46:37 | |
13-4 | Violin Concerto In C Major, WoO 5, Hess 10 (Fragment): Allegro Con Brio (1790-92) | 8:14 |
13-5 | Romance No. 1 In G Major, Op. 40 (C. 1801-02) | 8:35 |
13-6 | Romance No. 2 In F Major, Op. 50 (1798) | 9:53 |
Keyboard | ||
Dances And Bagatelles ∙ I | ||
7 Bagatelles, Op. 33 (1801-02) | 20:14 | |
11 Bagatelles, Op. 119 (1820-22) | 14:32 | |
6 Bagatelles, Op. 126 (1823-24) | 20:31 | |
14-25 | Bagatelle In A Minor, WoO 59 'Für Elise' (1810) | 3:22 |
14-26 | Bagatelle In A Minor, WoO 59 'Für Elise' (1822 Version) Edited By - Barry Cooper (2) | 3:30 |
14-27 | Klavierstück In B Flat Major, WoO 60 (1818) | 1:12 |
14-28 | Bagatelle In C Major, Hess (Fragment) (1823-24) | 0:41 |
14-29 | 2 Bagatelles, WoO 216, Hess 73-74 (1800-01) | 0:48 |
14-30 | Klavierstück In C Major, WoO 54 'Lustig-Traurig' (?1802) | 1:54 |
Dances And Bagatelles ∙ II | ||
15-1 | Klavierstück In B Minor, WoO 61, Hess 62: Allegretto (1821) | 2:33 |
15-2 | Klavierstück In G Minor, WoO 61a, Hess 56: Allegretto Quasi Andante (1825) | 0:33 |
15-3 | 7 Ländler, WoO 11, Hess 27 (?1798) | 4:00 |
15-4 | 6 Ländler, WoO 15 (Version For Piano) (1801-02) | 3:52 |
15-5 | 12 German Dances, WoO 8, Hess 100 (1795) | 14:41 |
15-6 | Menuett In C Major, WoO 218 (c. 1993-95) | 2:07 |
15-7 | 6 Minuets, WoO 10 (Version For Piano) (?1795) | 11:39 |
15-8 | Bagatelle In C Major, WoO 56: Allegretto ()1803 | 2:09 |
15-9 | Allegretto In C Minor, WoO 53 (1796-97) | 4:25 |
15-10 | Allegretto In C Minor, WoO 53 (1796-97) | 10:26 |
Dances And Bagatelles ∙ III | ||
16-1 | 12 German Dances, WoO 13, Hess 5 (1792-97) | 14:14 |
16-2 | Contretänze, Hess 102 (Piano Version Of 12 Contretänze, WoO 14: Nos. 1, 2, 4, 5, 7, 9 and 10 (1802) | 5:19 |
16-3 | 6 Ecossaises In E Flat Major, WoO 83 (1806) | 1:53 |
16-4 | Menuett In E Flat Major, WoO 82 (Before 1805) | 3:43 |
16-5 | Bagatelle In C Minor, WoO 214, Hess 69 (1794) | 2:44 |
16-6 | Polonaise In C Major, Op. 89 (1814) | 5:39 |
16-7 | Rondo In C Major, WoO 48, Hess 51 (1794) | 2:25 |
16-8 | Prelude In F Minor, WoO 55 (Before 1805) | 2:17 |
16-9 | 2 Preludes Through All 12 Major Keys, Op. 39 (?1798) | 7:36 |
16-10 | Fugue In C Major, WoO 215, Hess 64 (1795) | 1:32 |
16-11 | Rondo À Capriccio In G Major, Op. 129 'Rage Over A Lost Penny' (1795) | 6:08 |
16-12 | 2 German Dances, Hess 67 (1811-12) | 1:26 |
12 Piano Miniatures From The Sketchbooks (Raptus Editions) (Before 1801) Edited By - Jos van der Zanden | ||
Dances And Bagatelles ∙ IV | ||
17-1 | Rondo In C Major, Op. 51, No. 1 (1796-97) | 5:42 |
17-2 | Rondo In G Major, Op. 51, No. 2 (1798) | 9:26 |
17-3 | Rondo In A Major, WoO 49 (1783) | 2:34 |
12 Minuets, WoO 7, Hess 101 (1795) | 20:42 | |
4 Bagatelles, WoO 213 (C. 1793) | 3:43 | |
17-20 | Anglaise In D Major, WoO 212, Hess 61 (C. 1800) | 0:35 |
17-21 | Bagatelle In A Major, WoO 81 (1793) Transcription By - A. Schmitz (2) | 1:12 |
17-22 | Waltz In E Flat Major, WoO 84 (1824) | 1:50 |
17-23 | Waltz In D Major, WoO 85 (1825) | 0:36 |
17-24 | Menuett In F Major, WoO 217 (1794) | 1:35 |
17-25 | Ecossaise In G Major, WoO 23, Hess 4 (C. 1810) Arranged By [Arr. For Piano] - Carl Czerny | 0:37 |
17-26 | Ecossaise In E Flat Major, WoO 86 (1803) | 0:30 |
17-27 | Waltz In C Minor, WoO 219, Hess 68 (1803) | 0:51 |
17-28 | Menuett In B Flat Major, Hess 331 (1799) Transcription By - W. Virneisel | 0:36 |
17-29 | Menuett In B Flat Major, Hess 331 (1799) Arranged By [Reconstructed by] - A.W. Holsbergen | 2:21 |
17-30 | Minuet In D Minor, Gardi 10 (1790-92) Arranged By [Performing Version] - Lars Aksel Bisgaard Transcription By - D.P. Johnson (2) | 2:14 |
Piano Sonatas Nos. 1-3 | ||
Piano Sonata No. 1 In F Minor, Op. 2, No. 1 (1795) | 18:25 | |
Piano Sonata No. 2 In A Major, Op. 2, No. 2 (1795) | 23:20 | |
Piano Sonata No. 3 In C Major, Op. 2, No. 3 (1795) | 25:48 | |
Piano Sonatas Nos. 4-7 | ||
Piano Sonata No. 4 In E Flat Major, Op. 7 (1796-97) | 28:08 | |
Piano Sonata No. 5 In C Minor, Op. 10, No. 1 (1795-97) | 17:40 | |
Piano Sonata No. 6 In F Major, Op. 10, No. 2 (1796-1797) | 13:45 | |
Piano Sonata No. 7 In D Major, Op. 10, No. 3 (1797-98) | 24:22 | |
Piano Sonatas Nos. 8-11 | ||
Piano Sonata No. 8 In C Minor, Op. 13 'Pathétique' (?1797-98) | 17:54 | |
Piano Sonata No. 9 In E Major, Op. 14, No. 1 (1798) | 13:16 | |
Piano Sonata No. 10 In G Major, Op. 14, No. 2 (1798-99) | 16:26 | |
Piano Sonata No. 11 In B Flat Major, Op. 22 (1800) | 24:56 | |
Piano Sonatas Nos. 12-15 | ||
Piano Sonata No. 12 In A Flat Major, Op. 26 'Sonate Mit Dem Trauermarsch' (1800-01) | 19:08 | |
Piano Sonata No. 13 In E Flat Major, Op. 27, No. 1 (1800-01) | 16:22 | |
Piano Sonata No. 14 In C Sharp Minor, Op. 27, No. 2 'Moonlight' (1801) | 14:37 | |
Piano Sonata No. 15 In D Major, Op. 28 'Pastoral' (1801) | 23:22 | |
Piano Sonatas Nos. 16-18 | ||
Piano Sonata No. 16 In G Major, Op. 31, No. 1 (1802) | 23:08 | |
Piano Sonata No. 17 In D Minor, Op. 31, No. 2 'Tempest' (1802) | 23:23 | |
Piano Sonata No. 18 In E Flat Major, Op. 31, No. 3 'La Chasse' (1802) | 21:46 | |
Piano Sonatas Nos. 19-23 | ||
Piano Sonata No. 19 In G Minor, Op. 49, No. 1 (1971) | 6:55 | |
Piano Sonata No. 20 In G Major, Op. 49, No. 2 (1795-96) | 7:32 | |
Piano Sonata No. 21 In C Major, Op. 53 'Waldstein' (1803-04) | 23:24 | |
Piano Sonata No. 22 In F Major, Op. 54 (1804) | 9:19 | |
Piano Sonata No. 23 In F Minor, Op. 57 'Appassionata' (1804-05) | 23:37 | |
Piano Sonatas Nos. 24-28 | ||
Piano Sonata No. 24 In F Sharp Major, Op. 78 (1809) | 9:28 | |
Piano Sonata No. 25 In G Major, Op. 79 'Kuckuck-Sonate' (1809) | 8:08 | |
Piano Sonata No. 26 In E Flat Major, Op. 81a 'Les Adieux, L'Absence Et La Retour (1809-10) | 17:05 | |
Piano Sonata No. 27 In E Minor, Op. 90 (1814) | 12:34 | |
Piano Sonata No. 28 In A Major, Op. 101 (1816) | 21:01 | |
Piano Sonatas Nos. 29-31 | ||
Piano Sonata No. 29 In B Flat Major, Op. 106 'Hammerklavier' (1817-18) | 41:27 | |
Piano Sonata No. 30 In E Major, Op. 109 (1820) | 19:00 | |
Piano Sonata No. 31 In A Flat Major, Op. 110 (1821-22) | 19:17 | |
Piano Sonata No. 32 Early Sonatas | ||
Piano Sonata No. 32 In C Minor, Op. 111 (1821-22) | 27:36 | |
3 Piano Sonatas, WoO 47 'Kurfürstensonaten' (1782-83) | ||
Piano Sonata In E Flat Major, WoO 47, No. 1 | 8:37 | |
Piano Sonata In F Minor, WoO 47, No. 2 | 11:18 | |
Piano Sonata In D Major, WoO 47, No. 3 | 11:07 | |
26-12 | Piano Sonata (Sonatina) In F Major, WoO 50, Hess 53 (Before 1793) | 1:33 |
Piano Sonata In C Major (2 Pieces), WoO 51 'Eleonoren-Sonate' (?1797-8) | 7:48 | |
Piano Variations ∙ I | ||
27-1 | 15 Variations And A Fugue On An Original Theme In E Flat Major, Op. 35 'Eroica Variations' (1802) | 25:29 |
27-2 | 32 Variations On An Original Theme In C Minor, WoO 80 (1806) | 11:06 |
27-3 | 6 Variations On An Original Theme In F Major, Op. 34 (1802) | 12:57 |
27-4 | 6 Variations In G Major On The Duet 'Nel Cor Più Non Mi Sento' From La Molinara, WoO 70 (1795) | 4:52 |
27-5 | 12 Variations In C Major On The 'Menuet À La Viganò' From Haibel’s Le Nozze Disturbate, WoO 68 (1795) | 13:28 |
Piano Variations ∙ II | ||
28-1 | 10 Variations In B Flat Major On The Duet 'La Stessa, La Stessissima' From Salieri's Falstaff, WoO 73 (1799) | 9:41 |
28-2 | 8 Variations In F Major On The Trio 'Tändeln Und Scherzen” From Süssmayr's Soliman Der Zweite, WoO 76 (1799) | 8:09 |
28-3 | 6 Variations In D Major On An Original Theme, Op. 76 (1809) | 6:08 |
28-4 | 6 Variations On A Swiss Song, WoO 64 (Version For Piano) (Before 1793) | 2:55 |
28-5 | 24 Variations In D Major On Righini's Arietta 'Venni Amore', WoO 65 'Righini Variations' (1790-91) | 24:14 |
28-6 | 13 Variations In A Major On The Arietta 'Es War Einmal Ein Alter Mann' From Dittersdorf's Das Rothe Käppchen, WoO 66 (1792) | 13:09 |
28-7 | 9 Variations In A Major On The Aria 'Quant E Più Bello' From Paisiello's La Molinara, WoO 69 (1795) | 5:50 |
28-8 | 8 Variations In C Major On The Romance 'Une Fièvre Brûlante' From Grétry's Cœur-De-Lion, WoO 72 (1795) | 7:27 |
Piano Variations ∙ III | ||
29-1 | 7 Variations In F Major On The Quartet 'Kind, Willst Du Ruhig Schlafen', From Winter's Das Unterbrochene Opferfetst, WoO 75 (1799) | 11:42 |
292 | 6 Easy Variations On An Original Theme In G Major, WoO 77 (1800) Tema: Andante, Quasi Allegretto - Variation I - Variation II - Variation III - Variation IV: Minore, Poco Sostenuto - Variation V: Maggiore - Variation VI - Coda | 7:45 |
29-3 | 7 Variations In C Major On 'God Save The King', WoO 78 (1802/03) Tema- Variation I - Variation II - Variation III - Variation IV - Variation V: Con Espressione - Variation VI: Allegro. Alla Marcia - Variation VII: [Allegro] - Coda: Adagio - Allegro | 9:35 |
29-4 | 5 Variations In D Major On 'Rule Brittania', WoO 79 (1803) Tema: Tempo Moderato - Variation I - Variation II - Variation III - Variation IV - Variation V [Allegro] - Coda | 5:41 |
29-5 | 9 Variations In C Minor On A March By Dressler, WoO 63 'Dressler Variations' (Original Version) (1782) | 13:18 |
29-6 | 9 Variations In C Minor On A March By Dressler, WoO 63 'Dressler Variations' (Revised Version) (1782) | 15:35 |
Piano Variations ∙ IV | ||
33 Variations In C Major On A Waltz By Diabelli , Op. 120 'Diabelli Variations' (1819-23) | 56:30 | |
30-35 | 12 Variations In A Major On A Russian Dance From Wranitzky And Kinsky's Das Waldmädchen, WoO 71 (1797-97) | 11:09 |
Works For Piano Four Hands | ||
Sonata For Piano Four Hands In D Major, Op. 6 (1896-97) | 6:19 | |
31-3 | 8 Variations In C Major On A Theme By Count Waldstein, WoO 67 'Waldstein Variations' (1792) | 8:26 |
31-4 | 6 Variations In D Major On 'Ich Denke Dein', WoO 74 (1799) | 4:46 |
3 Marches, Op. 45 (C. 1803) | 13:37 | |
31-8 | Grosse Fuge In B Flat Major, Op. 134, Hess 86 (1826) | 14:53 |
Piano Fragments, Arrangements And Sketches | ||
32-1 | Piano Étude In B Flat Major, Hess 58 (C. 1800) | 0:43 |
32-2 | Piano Étude In C Major, Hess 59 (C. 1800) | 0:26 |
32-3 | Sketch In A Major, Hess 60 (1818) Transcription By - A. Schmitz (2) | 0:31 |
32-4 | Theme With Variations In A Major, Hess 72 (Fragment) (1803) | 2:42 |
32-5 | Three Little Sketches In Canonic Style, Bia. 69 (1794) | 0:59 |
32-6 | Sketches In C Major And G Major, Bia. 276 (C. 1800) Arranged By [Reconstructed By] - A.W. Holsbergen | 2:23 |
32-7 | Fragment In A Major Producing Effect Of Horns, Bia. 268 (1793) Transcription By - A. Schmitz (2) | 0:13 |
32-8 | Fragment In A Major Producing Effect Of Horns, Bia. 268 (1793) Arranged By [Reconstructed By] - A.W. Holsbergen | 0:31 |
32-9 | Fragment (Andante) In F Major, Bia. 270 (1793) Transcription By - A. Schmitz (2) | 0:10 |
32-10 | Fragment In E Flat Major, Bia. 271 (1793) Transcription By - A. Schmitz (2) | 0:13 |
32-11 | Sketch In F Major, Bia. 273 (1793) Transcription By - A. Schmitz (2) | 0:14 |
32-12 | Sketch In F Major, Bia. 273 (1793) Arranged By [Reconstructed By] - A.W. Holsbergen | 0:23 |
32-13 | Passage In B Major, Bia. 280 (1793) Arranged By [Performing Version By] - Carl Petersson Transcription By - A. Schmitz (2) | 0:10 |
32-14 | Sketch In E Flat Major, Bia. 317 (1802) Transcription By - S. Brandenburg | 0:42 |
32-15 | Sketch For Piano Sonata In E Flat Major, Bia. 98 (1795) | 0:39 |
32-16 | Sketch For Piano Sonata In A Minor, Bia. 318 (1802) Arranged By [Reconstructed By] - A.W. Holsbergen | 1:54 |
32-17 | Unused Sketches For The Finale To The Eroica Variations, Bia. 319 (1802) Transcription By - S. Brandenburg | 0:50 |
32-18 | Fragment In G Major, Bia. 720 (1819-20) Transcription By - Joseph Schmidt-Görg | 0:20 |
32-19 | Instrumental Sketch, Bia. 849 (1827) | 0:06 |
32-20 | Piano Trio In G Major, Op. 1, No. 2: III. Scherzo (1794-99) (Version For Piano) (Fragment, Hess 98) Arranged By [Completed By] - Carl Petersson | 0:32 |
32-21 | String Quintet In C Major, Woo 62, Hess 41: I. Andante Maestoso 'Letzter Musikalischer Gedanke' (1826-27) (Fragment, For Piano) Arranged By [Completed By] - Anton Diabelli | 2:47 |
32-22 | Symphony No. 7 In A Major, Op. 92: I. Poco Sostenuto (C. 1815) (Fragment, Hess 96) Arranged By [Performing Version] - Carl Petersson Edited By [Version For Piano] - M.S. Zimmer | 2:55 |
32-23 | Menuett In A Flat Major, Woo 209, Hess 88 (1790-92) | 4:18 |
2 Cadenzas To Mozart's Piano Concerto No. 20, WoO 58 (1802-09) | 4:03 | |
32-26 | March In C Minor, Hess 330 (1804) Arranged By [Reconstructed By] - A.W. Holsbergen | 0:59 |
Sketches For Allegretto, Bia. 99 (1795) | 2:00 | |
32-35 | Intermezzo For Sonata In C Minor, Bia. 191 (Possible Sketches For Piano Sonata No. 5 Or No. 8) (1798-99) Arranged By [Reconstructed By] - A.W. Holsbergen | 1:00 |
32-36 | Andante In B Flat Major, Bia. 272 (1793) Arranged By [Performing Version] - Carl Petersson Transcription By [Original Sketch Transcribed By] - A. Schmitz (2) | 0:15 |
32-37 | Andante In B Flat Major), Bia. 272 (1793) Arranged By [Reconstructed By] - A.W. Holsbergen | 0:30 |
18 Sketches, Bia. 96 (1795) | 6:45 | |
32-56 | March In B Flat Major, WoO 29, Hess 107 'Grenadier March' (Performed On Organ) (1794) | 4:21 |
32-57 | Fugue In D Major, WoO 31 (1783) | 2:09 |
2 Stücke, WoO 33b, Hess 106 (Performed On Organ) (1794) | 14:04 | |
3 Stücke, WoO 33a, Hess 103-105 (Performed On Organ) (1799-1800) | 11:16 | |
The Creatures Of Promotheus (Version For Piano) | ||
33-1 | Triumphmarsch Zum Trauerspiel Tarpeja Von Kuffner, WoO 2a, Hess 117 ('Triumphal March For The Tragedy "Tarpeja" By Kuffner') (1831) (Arr. For Piano, Unknown) Arranged By [Arr. For Piano] - Unknown Artist | 2:46 |
33-2 | March No. 1 In F Major, WoO 18, Hess 99 'Für Die Böhmische Landwehr' ('For The Bohemian Territorial Army') (1809-10) | 1:27 |
Musik Zu Einem Ritterballett, WoO 1, Hess 89 ('Music For A Ballet Of The Knights') (1791) | 13:13 | |
Die Geschöpfe Des Prometheus, Hess 90 ('The Creatures Of Prometheus') (Piano Version Of Op. 43) (1801) | 67:32 | |
'Andante Favori', WoO 57 Wellington's Victory, Hess 97 (Version For Piano) | ||
34-1 | Andante In F Major, WoO 57 ‘Andante Favori’ (1803) | 7:49 |
34-2 | Bagatelle In C Minor, WoO 52 (?1795) | 4:13 |
March In B Flat Major, WoO 29, Hess 87 (Original Version) (1797-98) | ||
March In B Flat Major, WoO 29, Hess 87 (Revised Version) (Date Unknown) | ||
12 Piano Miniatures From The Sketchbooks (Raptus Editions, 2000) (Excerpts) (Date Unknown) Editor [Edited By] - Jos van der Zanden | 3:07 | |
34-10 | Molto Adagio In G Major, Hess 71 (Fragment) (1803-04) Transcription By - Alan Gosman Transcription By - Lewis Lockwood | 1:08 |
34-11 | Adagio Ma Non Molto In G Major, Hess 70 (Fragment) (1803-04) Transcription By - Alan Gosman Transcription By - Lewis Lockwood | 0:40 |
34-12 | Allegretto In C Minor, Hess 66 (Second Version Of WoO 53) (1796-980) | 3:09 |
34-13 | Pastorella In C Major, Bia. 622 (1815) Transcription By - Federica Rovelli | 0:24 |
34-14 | Presto In G Major, Bia. 277 (1793) Transcription By - A. Schmitz (2) | 0:35 |
34-15 | Allegro In C Major, Bia. 279 (1793) Transcription By - A. Schmitz (2) | 0:10 |
34-16 | Johann Mattheson (1681-1764) Der Vollkommene Kapellmeister, Part III, Chapter 15: Canon In G Major (Performed On Piano) (1793) (Hess 274, 1803) Transcription By - Ludwig van Beethoven | 1:06 |
34-17 | Ludwig Van Beethoven Piano Piece In D Major, Hess 325 (1802/03) Transcription By - Nathan L. Fishman | 0:25 |
34-18 | Andante Molto In E Flat Major, Bia. 269 (C. 1800) Transcription By - A. Schmitz (2) | 1:35 |
34-19 | Fuga Tema In C Major, Bia. 345 (1803) Transcription By - Nathan L. Fishman | 0:14 |
34-20 | Fuga Antique In C Major, Bia. 346 (1806) (Fragment) Transcription By - Nathan L. Fishman | 0:15 |
34-21 | Anglaise In G Minor, Bia. 48 (Original Version) (1792) | 0:34 |
34-22 | Anglaise In G Major, Bia. 48 (Revised Version) (1792) (Transcribed By D.P. Johnson, dates unknown) Transcription By - D.P. Johnson (2) | 0:51 |
34-23 | Composition For Piano In D Major, Bia. 213 (Fragment) (1792-93?) (Transcribed By J. Kerman, 1924-2014) Transcription By - Joseph Kerman | 21:42 |
34-24 | Liedthema In G Major, WoO 200, Hess 75 'O Hoffnung' (1818) | 0:23 |
34-25 | Erstes Kaplied: Abschiedslied (1789), Hess 63 Arranged By [Arr. For Piano As Klaviersatz] - Ludwig van Beethoven Author - Christian Daniel Schubart | 0:38 |
34-26 | Andante In C Major, WoO 211 (C. 1790-92) | 0:58 |
34-27 | Canon In A Flat Major, WoO 222, Hess 275/328 (1803) | 0:26 |
Piano Sonatina In G Major, Anh. 5, No. 1 (Published C. 1807) | 3:32 | |
Piano Sonatina In F Major, Anh. 5, No. 2 (Published C. 1807) | 4:04 | |
34-32 | Melody In C Minor, Hess 324 (1802) Transcription By - Nathan L. Fishman | 0:15 |
34-33 | Melody In C Minor, Hess 324 (1802) Arranged By [Reconstructed By] - A.W. Holsbergen | 1:04 |
34-34 | Zweiter Eingang In’s Thema Vom Rondo, Hess 84 (1806) (Cadenza For The Piano Version Of Violin Concerto, Op. 61) | 0:32 |
34-35 | Kadenz Zum Rondo, Hess 85 (Cadenza For The Piano Concerto, Op. 61a) (1806) | 0:28 |
Wellingtons Sieg Oder Die Schlacht Bei Vittoria ('Wellington's Victory, Or The Battle Of Vitoria'), Hess 97 (Piano Version Of Op. 91) (1816) | 15:26 | |
Chamber Music | ||
Cello Sonatas Nos. 1-3 | ||
Cello Sonata No. 1 In F Major, Op. 5 No. 1 (1796) | 23:46 | |
Cello Sonata No. 2 In G Minor, Op. 5 No. 2 (1796) | 28:36 | |
Cello Sonata No. 3 In A Major, Op. 69 (1807-08) | 26:08 | |
Cello Sonatas Nos. 4 And 5 | ||
Cello Sonata No. 4 In C Major, Op. 102 No. 1 (1815) | 14:42 | |
Cello Sonata No. 5 In D Major, Op. 102 No. 2 (1815) | 18:22 | |
Cello Sonata In E-Flat Major, Op. 64, Hess A 15 (Arr. Of String Trio, Op. 3 For Cello And Piano (1807) | 40:51 | |
Variations For Cello And Piano Works For Mandolin And Piano | ||
12 Variations In G Major On 'See The Conqu'ring Hero Comes' From Handel's Judas Maccabaeus, WoO 45 (1796) Music By - Georg Friedrich Händel | 12:19 | |
7 Variations In E Flat Major On 'Bei Männern, Welche Liebe Fühlen' From Mozart's Die Zauberflöte, WoO 46 (1801) Music By - Wolfgang Amadeus Mozart | 9:30 | |
12 Variations In F Major On 'Ein Mädchen Oder Weibchen' From Mozart's Die Zauberflöte, Op. 66 (1796) Music By - Wolfgang Amadeus Mozart | 10:32 | |
36-35 | Mandolin Sonatina In C Minor, WoO 43a (Performed On Mandolin And Piano) (1796) | 3:49 |
36-36 | Adagio In E Flat Major, WoO 43b, Hess 44 (Performed On Mandolin And Piano) (1796) | 4:21 |
36-37 | Mandolin Sonatina In C Major, WoO 44a, Hess 43 (Performed On Mandolin And Piano) (1796) | 2:43 |
37-38 | Andante And Variations In D Major, WoO 44b, Hess 45 (Performed On Mandolin And Piano) (1796) | 8:45 |
37-39 | 12 Variations In F Major On 'Se Voul Ballere' From Mozart's Le Nozze Di Figaro, WoO 40 (1792-93) Music By - Wolfgang Amadeus Mozart | 11:10 |
37-40 | Rondo In G Major, WoO 41 (1793-94) | 4:48 |
Horn Sonata In F Major, Op. 17 (Version For Cello And Piano) (1800) | 14:36 | |
Piano Trios Nos. 1 And 2 | ||
Piano Trio In E Flat Major, Op. 1, No. 1 (1794-95) | 29:20 | |
Piano Trio In G Major, Op. 1, No. 2 (1794-95) | 32:21 | |
Piano Trios Nos. 3-5 | ||
Piano Trio No. 3 In C Minor, Op. 1, No. 3 (1794-95) | 28:38 | |
Piano Trio No. 4 In B Flat Major, Op. 11 'Gassenhauer' (Version For Clarinet, Cello And Piano) (1797) | 20:20 | |
Piano Trio No. 5 In D Major, Op. 70, No. 1 'Ghost' (1808) | 27:55 | |
Piano Trios Nos. 6 and 7 | ||
Piano Trio No. 6 In E Flat Major, Op. 70, No. 2 (1808) | 29:59 | |
Piano Trio No. 7 In B Flat Major, Op. 97 'Archduke' (1810-11) | 43:05 | |
Piano Trios WoO 39 ∙ Op. 44 ∙ Op. 121a Hess 48 ∙ Op. 36 | ||
41-1 | Piano Trio In B Flat Major, WoO 39, Hess 50 (1812) | 4:33 |
14 Variations In E Flat Major On C.D. Von Dittersdorf's 'Ja, Ich Muss Mich Von Ihr Scheiden', Op. 44 'Piano Trio No. 10' (1792-1800) Music By - Carl Ditters von Dittersdorf | 13:40 | |
41-17 | Variations In G Major On Wenzel Müller's 'Ich Bin Der Schneider Kakadu', Op. 121a (1803, Rev. 1816-17) Music By - Wenzel Müller | 16:34 |
41-18 | Allegretto In E Flat Major, Hess 48 (Fragment) (1790-92) | 3:47 |
Symphony No. 2 In D Major, Op. 36 (Version For Piano Trio) (1803) | 33:00 | |
Piano Trios WoO 37 ∙ WoO 38 ∙ Op. 38 | ||
Piano Trio In E Flat Major, Woo 38, Hess 49 (?1791) | 15:19 | |
Piano Trio No. 8 In E Flat Major, Op. 38 (Arr. From Septet, Op. 20 For Clarinet, Cello And Piano) (?1803) | 38:53 | |
Piano Trio In G Major, WoO 37 (1786) | 25:43 | |
42-13 | Piano Trio In F Minor, Bia. 637 (1816) (Fragments Trabscribed By N. Marston, B. 1958) | 4:39 |
Piano Quartets, WoO 36 | ||
Piano Quartet In C Major, WoO 36, No. 3 (1785) | 16:52 | |
Piano Quartet In E Flat Major, WoO 36, No. 1 (1785) | 24:01 | |
Piano Quartet In D Major, WoO 36, No. 2 (1785) | 23:08 | |
Piano Quartet, Op. 16 Quintet For Piano And Winds, Op. 16 | ||
Piano Quartet In E Flat Major, Op. 16 | 26:16 | |
Quintet For Piano And Winds In E Flat Major, Op. 16 | 25:07 | |
String Trios, Op. 9 | ||
String Trio In G Major, Op. 9, No. 1 (1797-98) | 26:54 | |
String Trio In D Major, Op. 9, No. 2 (1797-98) | 23:37 | |
String Trio In C Minor, Op. 9, No. 3 (1797-98) | 22:57 | |
45-13 | Trio Secendo, Hess 28 (2nd Trio To String Trio, Op. 9, No. 1: III. Scherzo) (1798-1800) | 1:36 |
String Trio, Op. 3 Serenade, Op. 8 | ||
String Trio In E Flat Major, Op. 3 (C. 1794) | 39:39 | |
Serenade In D Major, Op. 8 (1796-97) | 28:54 | |
46-13 | Finale: Allegro, Hess 25 (Early Version Of String Trio, Op. 3 : IV. Finale) (1793-94) | 6:54 |
String Quartets Nos. 1-3 | ||
String Quartet No. 1 In F Major, Op. 18, No. 1 (1798-1800) | 30:36 | |
String Quartet No. 2 In G Major, Op. 18, No. 2 'Komplimentierquartett' (1798-1800) | 24:48 | |
String Quartet No. 3 In D Major, Op. 18, No. 3 (1798-1800) | 26:28 | |
String Quartets Nos. 4-6 | ||
String Quartet No. 4 In C Minor, Op. 18, No. 4 (1798-1800) | 26:10 | |
String Quartet No. 5 In A Major, Op. 18, No. 5 (1798-1800) | 29:50 | |
String Quartet No. 6 In B Flat Major, Op. 18, No. 6 (1798-1800) | 25:51 | |
String Quartets Nos. 7 And 8 'Razumovsky' | ||
String Quartett No. 7 In F Major, Op. 59, No. 1 'Razumovsky' (1805-06) | 38:05 | |
String Quartett No. 8 In E Minor, Op. 59, No. 2 'Razumovsky' (1805-06) | 35:49 | |
String Quartets Nos. 9 'Razumovsky' And 10 'Harp' | ||
String Quartet No. 9 In C Major, Op. 59, No. 3 'Razumovsky', 'Heldenquartett' (1805-06) | 31:18 | |
String Quartet No. 10 In E Flat Major, Op. 74 'Harp' (1809) | 31:25 | |
String Quartets Nos. 11 'Serioso' And 12 | ||
String Quartet No. 11 In F Minor, Op. 95 'Serioso' (1810) | 21:30 | |
String Quartet No. 12 In E Flat Major, Op. 127 (1823-24) | 36:40 | |
String Quartets Nos. 13 And 14 | ||
String Quartet No. 13 In B Flat Major, Op. 130 (1825-26) | 39:39 | |
String Quartet No. 14 In C Sharp Minor, Op. 131 (1826) | 40:01 | |
String Quartets Nos. 15 And 16 | ||
String Quartet No. 15 In A Minor, Op. 132 (1825) | 42:05 | |
String Quartet No. 16 In F Major, Op. 135 (1826) | 22:58 | |
String Quartet In F Major, Hess 34 (Arr. Of Piano Sonata No. 9, Op. 14, No. 1) (1801-02) | 12:18 | |
String Quartet, Hess 32 String Quintet, Op. 4 | ||
String Quartet In F Major, Hess 32 (First Version Of String Quartet No. 1, Op. 18, No. 1) (1799) | 30:31 | |
54-5 | Allegretto In B Minor, WoO 210 (1817) | 0:35 |
54-6 | String Quartet No. 14 In C Sharp Minor, Op. 131: I. Adagio Expressivo (Early Version) (1826) | 6:05 |
54-7 | Solomon, HWV 67, Part I - Overture: Fugue (Arr. For String Quartet, Hess 36) (1794-95) Arranged By - Ludwig van Beethoven Music By - Georg Friedrich Händel | 2:11 |
String Quintet In E Flat Major, Op. 4 (1795) | 31:42 | |
String Quintets, Op. 29 And Op. 104 | ||
String Quintet In C Major, Op. 29 (1801) | 36:35 | |
String Quintet In C Minor, Op. 104 (Arr. Of Piano Trio No. 3, Op. 1, No. 3) (1817) | 34:02 | |
Violin Sonatas Nos. 1-4 | ||
Violin Sonata No. 1 In D Major, Op. 12, No. 1 (1797-98) | 20:33 | |
Violin Sonata No. 2 In A Major, Op. 12, No. 2 (1797-98) | 16:45 | |
Violin Sonata No. 3 In E Flat Major, Op. 12, No. 3 (1797-98) | 30:31 | |
Violin Sonata No. 4 In A Minor, Op. 23 (1801) | 19:03 | |
Violin Sonatas Nos. 5-7 | ||
Violin Sonata No. 5 In F Major Op. 24 ‘Spring’ (1800-01) | 23:08 | |
Violin Sonata No. 6 In A Major, Op. 30, No. 1 (1801-02) | 22:19 | |
Violin Sonata No. 7 In C Minor, Op. 30, No. 2 'Eroica' (1801-02) | 25:20 | |
Violin Sonatas Nos. 8-10 | ||
Violin Sonata No. 8 In G Major, Op. 30, No. 3 'Champagnersonate' (1802) | 17:31 | |
Violin Sonata No. 9 In A Major, Op. 47 ‘Kreutzer’ (1802-03) | 33:15 | |
Violin Sonata No. 10 In G Major, Op. 96 (1812) | 26:53 | |
Dances And Marches | ||
6 Minuets, WoO 9, Hess 26 (C. 1799) | 12:18 | |
6 Ländlerische Tänze, WoO 15 (Version 2 For 2 Violins And Double Bass) (1801-02) | 5:05 | |
6 German Dances, WoO 42 (1796) | 5:25 | |
59-19 | Polonaise In D Major, WoO 21 (1810) | 2:06 |
59-20 | Ecossaise In D Major, WoO 22 (C. 1809-10) | 0:58 |
59-21 | Menuett In A Flat Major, WoO 209, Hess 33 (C. 1790) | 2:05 |
59-22 | March No. 1 In F Major, WoO 18, 'Für Die Böhmische Landwehr' (1809, Rev. 1810) | 1:24 |
59-23 | March No. 1 In F Major, WoO 18, Hess 7 'Für Die Böhmische Landwehr, Zapfenstreich No. 1' (1809-23) | 3:01 |
59-24 | March No. 2 In F Major, WoO 19 (1810) | 1:40 |
59-25 | March No. 2 In F Major, WoO 19, Hess 9 'Zapfenstrich No. 3' (1810-23) | 3:35 |
59-26 | March In C Major, WoO 20 'Zapfenstreich No. 2' (C. 1809-23) | 4:28 |
59-27 | March In D Major, WoO 24 'Marsch Zur Grossen Wachtparade' (Grosser Marsch No. 4) (1816) | 8:15 |
59-28 | March In B Flat Major, WoO 29 (17978-98) | 1:22 |
Flute Duo In G Major, WoO 26, Hess 17 (1792) | 5:09 | |
Oboe Trio In C Major, Op. 87 (1795) | 23:06 | |
Duets, Trios And Quartets | ||
3 Duets, WoO 27 (1792) (Arr. Kazunori Seo, B. 1974, For Flute And Bassoon) | ||
No. 1 In C Major | 13:43 | |
No. 2 In F Major | 13:05 | |
No. 3 In B Flat Major | 15:15 | |
Duo For Viola And Cello In E Flat Major, WoO 32 'Mit 2 Obligaten Augengläsern' (1797) | 12:54 | |
60-11 | Duet For 2 Violins In A Major, WoO 34, Hess 42 (1822) | 0:21 |
60-12 | Duo For Violin And Cello In E Flat Major, Gardi 2 (Fragment) (1790-92?) | 3:20 |
60-13 | 8 Variations In C Major On 'Là Ci Darem La Mano" From Mozart’s Don Giovanni, WoO 28, Hess 18 (1795) Author - Wolfgang Amadeus Mozart | 9:07 |
3 Equali, WoO 30 (1812) | 4:59 | |
60-17 | Adagio In A Flat Major, Hess 297 (1815) | 0:53 |
Septet, Op. 20 ∙ Quintet, Hess 19 Rondino, WoO 25 | ||
Septet In E Flat Major, Op. 20 (1800) | 41:00 | |
Wind Quintet In E Flat Major, WoO 208, Hess 19 (?1793) Arranged By [Completed By] - Leopold Zellner | 15:57 | |
61-10 | Rondo In E Flat Major, WoO 25 'Rondino' (1793) | 7:06 |
Sextets, Op. 71 And Op. 81b Octet, Op. 103 'Parthia' | ||
Sextet In E Flat Major, Op. 71 (1796) | 20:12 | |
Sextet In E Flat Major, Op. 81b (194-95) | 17:01 | |
Octet In E Flat Major, Op. 103 'Parthia' (1792) | 21:26 | |
Prelude And Fugues ∙ Canons | ||
63-1 | Prelude And Fugue In E Minor, Hess 29: Prelude (1st Version) (1795) | 3:19 |
Prelude And Fugue In E Minor, Hess 29 (Final Version) (1795) | 5:03 | |
63-4 | Prelude And Fugue In F Major, Hess 30 (1795) | 6:28 |
63-5 | Prelude And Fugue In C Major, Hess 31 (1795) | 4:44 |
63-6 | The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 22 In B Flat Minor, BWV 867 (1722) (Arr. For String Quintet, Hess 38) Arranged By [Arr.] - Ludwig van Beethoven Composed By - Johann Sebastian Bach | 2:12 |
63-7 | String Quintet In D Minor, Hess 40 (Fragment) (1817) | 2:28 |
63-8 | Fugue In D Minor, Hess 245 (Fragment) (C. 1795) | 0:40 |
63-9 | Grosse Fuge In B Flat Major, Op. 133 (1825) | 16:38 |
63-1^0 | Fugue In D Major, Op. 137 (1817) | 1:52 |
63-11 | Canon In A Major, WoO 35, Hess 273 (1825) | 0:27 |
63-12 | Canon In G Major, WoO 160, No. 1, Hess 247 'O Care Selve' (1795) | 1:15 |
63-13 | Canon In C Major, WoO 160, No. 2, Hess 248 (1795) | 1:14 |
Flute Sonata Flute Serenade Violin Sonata, Hess 46 | ||
CD 64: Flute Sonata; Flute Serenade; Violin Sonata, Hess 46 | 22:11 | |
Serenade In D Major, Op. 25 (1801) | 24:48 | |
Serenade In D Major, Op. 41, Hess A 12 (Arr. Of Serenade, Op. 25 For Flute And Piano) (1803) Arranged By [Arr.] - Anonymous | 23:39 | |
64-17 | Violin Sonata In A Major, Hess 46 (Fragments) (1790/91) | 2:32 |
National Airs And Variations Horn Sonata, Op. 17 | ||
6 Variations On Folk Songs, Op. 105 (1818-19) (Version For Flute And Piano) Performer [Performing Version By] - Patrick Gallois | 21:44 | |
10 Variations On Folk Songs, Op. 107 (1818-19) (Version For Flute And Piano) Performer [Performing Version By] - Patrick Gallois | 48:32 | |
Horn Sonata In F Major, Op. 17 (1800) | 14:19 | |
Stage | ||
The Creatures Of Promotheus | ||
Die Geschöpfe Des Prometheus, Op. 43 ('The Creatures Of Prometheus') (1800-01) | 76:37 | |
66-6 | Act II: Maestoso - Andante | 1:21 |
66-7 | Act II: Adagio - Andante Quasi Allegretto | 9:06 |
66-8 | Act II: Un Poco Adagio - Allegro | 1:40 |
66-9 | Act II: Grave | 9:40 |
66-10 | Act II: Allegro Con Brio | 4:34 |
66-11 | Act II: Adagio | 5:05 |
66-12 | Act II: Pastorale: Allegro | 2:51 |
66-13 | Act II: Coro Di Gioja: Andante | 0:31 |
66-14 | Act II: Solo Di Gioja: Maestoso | 3:11 |
66-15 | Act II: Terzettino, Grotteschi: Allegro | 4:35 |
66-16 | Act II: Solo Della Signora Cassentini: Andante | 6:11 |
66-17 | Act II: Coro E Solo Di Viganò: Andantino | 4:52 |
66-18 | Act II: Finale: Allegretto | 6:52 |
Fidelio: Act I | ||
Fidelio, Op. 72 (1814) (After Léonore Ou L'Amour Conjugal.) Arranged By [Revised] - Georg Friedrich Treitschke Libretto By [After] - Jean-Nicolas Bouilly Text By - Joseph Sonnleithner | 69:28 | |
Fidelio: Act II King Stephen | ||
Fidelio, Op. 72 (1814) (Continued) | 45:19 | |
König Stephan, Op. 117 'King Stephen' (1811) Text By - August Von Kotzebue | 39:09 | |
Leonore: Act I ∙ Act II (Beginning) | ||
Leonore (1805 Version) Text By - Joseph Sonnleithner | 77:20 | |
Leonore: Act II (Conclusion) ∙ Act III | ||
Leonore (1805 Version) (Continued) Text By - Joseph Sonnleithner | 78:19 | |
Egmont ∙ Leonore Prohaska Germania | ||
Egmont, Op. 84 (1809-10) Text By - Johann Wolfgang von Goethe | 47:42 | |
71-15 | Vestas Feuer, Hess 115 (Fragment) (1803) Text By - Emanuel Schikaneder | 10:59 |
71-16 | Die Ehrenpforten: Chorus: Es Ist Vollbracht, WoO 97 (1815) Text By - Georg Friedrich Treitschke | 4:16 |
Leonore Prohaska, WoO 96 (1815) Text By - Friedrich Duncker | 12:50 | |
71-21 | Die Gute Nachricht: Chorus: Germania, WoO 94 (1814) (Text: Georg Friedrich Treitschke) Text By - Georg Friedrich Treitschke | 5:09 |
The Ruins Of Athens The Consecration Of The House | ||
Die Ruinen Von Athen, Op. 113 ('The Ruins Of Athens') (1811) Text By - August Von Kotzebue | 52:44 | |
72-17 | Die Weihe Des Hauses, Op. 124 ('The Consecration Of The House') (1822) | 11:57 |
72-18 | Musik Zu Carl Meisls Gelegenheisfestspiel, Hess 118 (Die Weihe Des Hauses): [No. 1] Invisible Chorus: Folge Dem Mächtigen Ruf Der Ehre (1811) Text By - Carl Meisl | 3:29 |
72-19 | Die Ruinen Von Athen ('The Ruins Of Athens'): March With Chorus: Schmückt Die Altäre, Op. 114 (1811) Text By - Anonymous Text By - August Von Kotzebue | 6:56 |
72-20 | Die Weihe Des Hauses ('The Consecration Of The House'): Wo Sich Die Pulse, WoO 98 (1822) Text By - Carl Meisl | 6:31 |
Choral | ||
The Glorious Moment Choral Fantaysy | ||
Der Glorreiche Augenblick, Op. 136 ('The Glorious Moment') (1814) Arranged By [Revised] - Joseph Karl Bernard Text By - Aloys Weissenbach | 37:49 | |
73-7 | Fantasia In C Minor, Op. 80 'Choral Fantaysy' (1808) Text By - Christoph Kuffner | 19:43 |
Missa Solemnis | ||
Missa Solemnis, Op. 123 (1823) (Mass Text) | ||
74-1 | I. Kyrie | 10:17 |
II. Gloria | ||
III. Credo | ||
IV. Sanctus | ||
V. Agnus Dei | ||
Cantata On The Accession Of Emperor Leopold II Mas In C Major | ||
Kantate Auf Die Erhebung Leopold II. Zur Kaiswerwürde, WoO 88 ('Cantata On The Accession Of Emperor Leopold II') (C. 1790) Text By - Severin Anton Averdonk | 28:05 | |
75-7 | Ihr Weisen Gründer Glücklicher Staaten, WoO 95 'Chor Auf Die Verbündeten Fürsten' (1814) Text By - Anonymous | 1:51 |
75-8 | Bundeslied, Op. 122 'In Allen Guten Stunden' (1824) Text By - Johann Wolfgang von Goethe | 4:38 |
Mass In C Major, Op. 86 (1807) (Mass Text) | 46:21 | |
Christ On The Mount Of Olives | ||
Christus Am Ölberge, Op. 85 ('Christ On The Mount Of Olives') (1803) Text By - Franz Xaver Huber (2) | 57:07 | |
76-18 | Opferlied, Op. 121b (2nd Setting, Version For Voice, Choir And Orchestra) (1824) Text By - Friedrich von Matthisson | 5:42 |
76-18 | Opferlied, Op. 121b (2nd Setting, Version For 3 Voices, Choir And Orchestra) (1822) Text By - Friedrich von Matthisson | 7:24 |
Calm Sea And Prosperous Voyage Cantata On The Death Of Emperor Joseph II | ||
77-1 | Meeres Stille Und Glückliche Fahrt, Op. 112 ('Calm Sea And Prosperous Voyage') (1818) Text By - Johann Wolfgang von Goethe | 7:59 |
Disc 77: Calm SeKantate Auf Den Tod Kaiser Josephs II. WoO 87 'Trauerkantate' ('Cantata On The Death Of Emperor Josephh II') (1790) Text By - Severin Anton Averdonk | 44:22 | |
77-9 | Abschiedsgesang, WoO 102 'Die Stunde Schlägt' (1814) Text By - Joseph Ritter von Seyfried | 3:47 |
77-10 | Cantata Campestere, WoO 103, Hess 127 'Un Lieto Brindisi' (1814) Text By - Clemente Bondi | 6:57 |
77-11 | Gesang Der Mönche, WoO 104 'Rasch Tritt Der Tod' (1817) Text By - Friedrich Schiller | 1:08 |
77-12 | Der Freie Mann (1st Version), Hess 146 (1792) Text By - Gottlieb Konrad Pfeffel | 0:40 |
77-13 | Bundeslied, Op. 122 'In Allen Guten Stunden' (Version For Choir And Piano) (1824/25) Text By - Johann Wolfgang von Goethe | 4:20 |
Vocal | ||
Irish Songs I, WoO 152 | ||
Irish Songs I, WoO 152 (1810-13) | 71:12 | |
Irish Songs II, WoO 153 | ||
Irish Songs II, WoO 153 (1810-15) | 78:41 | |
Irish Songs III, WoO 154 26 Welsh Songs, WoO 155 | ||
Irish Songs III, WoO 154 (1810-15) | 11:40 | |
80-4 | No. 63. Since All The Vows Text By - Traditional | 4:00 |
26 Welsh Songs, WoO 155 (1810-15) | 74:01 | |
22 Scottish Songs, WoO 156 | ||
Scottish Songs, WoO 156 (1810-20) | 61:52 | |
4 English Songs, WoO 157 29 Songs Of Various Nationality, WoO 158 | ||
4 English Songs, WoO 157 (1816/19) | 9:33 | |
82-4 | No. 4. The Miller Of The Dee Text By - Traditional | 2:36 |
29 Songs Of Various Nationality, WoO 158 (1816-20) | 51:32 | |
25 Scottish Songs, Op. 108 | ||
25 Scottish Songs, Op. 108 (1810-20) | 52:52 | |
Miscellaneous Folk Songs | ||
84-1 | Irish Songs I, WoO 152 No. 5. On The Massacre Of Glencoe (1st Version) (1810) Text By - Sir Walter Scott | 6:29 |
Irish Songs II, WoO 153 | ||
26 Welsh Songs, WoO 155 | ||
84-12 | 29 Songs Of Various Nationality, WoO 158 No. 19. Una Paloma Blanca (1st Version, Gardi 25) (1816) Text By - Anonymous | 0:59 |
25 Scottish Songs, Op. 108 | ||
Lieder ∙ I | ||
85-1 | Schilderung Eines Mädchens, WoO 107 (1783) Text By - Anonymous | 1:02 |
85-2 | An Einen Säugling, WoO 108 'Schlummerlied' (Version For Choir And Piano) Text By - Johann von Döring | 2:59 |
85-3 | Elegie Auf Den Tod Eines Pudels, WoO 110 (?1806-09) Text By - Anonymous | 5:12 |
85-4 | Erhebt Das Glas Mit Froher Hand, WoO 109 'Trinklied, Beim Abschied Zu Singen' (C. 1791/92) Text By - Anonymous | 1:30 |
85-5 | Punschlied, WoO 111, Hess 126 (Version For Voice, Choir And Piano) (1791/92) Text By - Anonymous | 0:52 |
85-6 | An Laura, WoO 112, Hess 128 (1792) Text By - Friedrich von Matthisson | 3:34 |
85-7 | Klage, WoO 113 (2nd Version) (1790) Text By - Ludwig Heinrich Christoph Hölty | 2:40 |
85-8 | Ein Selbstgespräch, WoO 114 (1792-?1793) Text By - Johann Wilhelm Ludwig Gleim | 3:05 |
85-9 | An Minna, WoO 115 (1792) Text By - Anonymous | 1:02 |
8 Songs, Op. 52 (C. 1794/95) | 22:26 | |
85-18 | Que Le Temps Me Dure, WoO 116, Hess 129 (1st version) - Que Le Temps Me Dure, WoO 116, Hess 130 (2nd version) (1793) Text By - Jean-Jacques Rousseau | 3:54 |
85-19 | Der Freie Mann, WoO 117 (1794/95) Text By - Gottlieb Konrad Pfeffel | 1:45 |
85-20 | O Care Selve, Oh Cara, WoO 119 (Probably 1794/95) Text By - Pietro Metastasio | 1:52 |
85-21 | Seufzer Eines Ungeliebten Und Gegenliebe, WoO 118 (1795) Text By - Gottfried August Bürger | 6:53 |
85-22 | Man Strebt, Die Flamme Zu Verhehlen, WoO 120 (Probably Before 1800) Text By - Johanna Franul von Weissenthurn | 2:11 |
85-23 | Opferlied, WoO 126 (1st Setting, Version For Voice And Piano) (C. 1798) Text By - Friedrich von Matthisson | 3:12 |
85-24 | Abschiedsgesang An Wiens Bürger, WoO 121 (Version For Voice, Choir And Piano) (1796) Text By - Josef Friedelberg | 2:39 |
85-25 | Kriegslied Der Österreicher, WoO 122 (Version For Voice, Choir And Piano) (1797) Text By - Josef Friedelberg | 3:16 |
85-26 | La Partenza, WoO 124 (Probably 1795) Text By - Pietro Metastasio | 1:00 |
85-27 | Es Lebe Unser Teurer Fürst, WoO 106 'Lobkowitz-Kantate' (Probably 1822) Text By - Ludwig van Beethoven | 2:03 |
Lieder ∙ II | ||
86-1 | Adelaide, Op. 46 (1794-96) Text By - Friedrich von Matthisson | 6:07 |
86-2 | Ich Liebe Dich Wo Wie Du Mich, WoO 123 'Zärtliche Liebe' (1795) Text By - Karl Friedrich Wilhelm Herrosee | 1:53 |
86-3 | La Tiranna, WoO 125, Hess 135 (1798) Text By, Text By [Original Italian Text] - Anonymous Translated By [English Translation] - William Wennington | 2:47 |
86-4 | Plaisir D'Aimer, WoO 128, Hess 131 (1799) Text By - Anonymous | 1:12 |
6 Songs, Op. 48 (1802) Text By [Texts] - Christian Fürchtegott Gellert | 13:17 | |
86-11 | Der Wachtelschlag, WoO 129 'Wachtellied' (1803) Text By - Samuel Friedrich Sauter | 3:37 |
86-12 | Das Glück Der Freundschaft, Op. 88 'Lebensglück' (Sung In Italian) (1803) Text By - Anonymous | 2:37 |
86-13 | Gedenke Mein!, WoO 130 (1805) Text By - Anonymous | 1:37 |
86-14 | An Die Hoffnung, Op. 32 (1805) Text By - Christoph August Tiedge | 4:04 |
86-15 | Als Die Geliebte Sich Trennen Wollte, WoO 132 (1806) Text By - Stephan von Breuning | 2:13 |
86-16 | In Questa Tomba Oscura, WoO 133 (2nd Version) (1807) Text By - Giuseppe Carpani | 3:04 |
86-17 | Die Laute Klage, WoO 135 (1814-15) Text By - Johann Gottfried Herder | 2:19 |
86-18 | Andenken, WoO 136 (1808) Text By - Friedrich von Matthisson | 3:10 |
86-19 | Gesang Aus Der Ferne, WoO 137 (1809) Text By - Christian Ludwig Von Reissig | 4:12 |
86-20 | Der Jüngling In Der Fremde, WoO 138 (Final Version) (1809) Text By - Christian Ludwig Von Reissig | 2:22 |
86-21 | Der Liebende, WoO 139 (1809) Text By - Christian Ludwig Von Reissig | 2:25 |
6 Songs, Op. 75 (1809) | 15:57 | |
Lieder ∙ III | ||
4 Ariettas And A Duet, Op. 82 (1809) | 11:41 | |
3 Songs, Op. 83 (1810) Text By - Johann Wolfgang von Goethe | 6:37 | |
87-9 | An Die Geliebte, WoO 140 (1st Version) (Version For Voice and Piano) (1811) Text By - Joseph Ludwig Stoll | 1:04 |
87-10 | An Die Geliebte, WoO 140 (2nd Version) (1811) Text By - Joseph Ludwig Stoll | 1:04 |
87-11 | An Die Geliebte, WoO 140 (3rd Version) (1814) Text By - Joseph Ludwig Stoll | 0:59 |
87-12 | An Die Geliebte, WoO 140 (Draft Version) (1811) Text By - Joseph Ludwig Stoll | 0:57 |
87-13 | Der Gesang Der Nachtigall, WoO 141 (1813) Text By - Johann Gottfried Herder | 1:23 |
87-14 | Der Bardengeist, WoO 144 (1813) Text By - Franz Rudolf Herrmann | 3:01 |
87-15 | Merkenstein, WoO 142 (1814) Text By - Johann Baptist Rupprecht | 3:29 |
87-16 | An Die Hoffnung. Op. 94 (1815) Text By - Christoph August Tiedge | 7:19 |
87-17 | Des Kriegers Abschied, WoO 143 (1814) Text By - Christian Ludwig Von Reissig | 2:48 |
87-18 | Merkenstein, Op. 100 (1814-15) Text By - Johann Baptist Rupprecht | 1:41 |
87-19 | Sehnsucht, WoO 146 (1815-16) Text By - Christian Ludwig Von Reissig | 2:40 |
87-20 | Das Geheimnis, WoO 145 (1815) Text By - Ignaz Heinrich Karl Freiherr von Wessenberg | 1:18 |
87-21 | Der Mann Von Wort, Op. 99 (1816) Text By - Friedrich August Kleinschmid | 3:23 |
An Die Ferne Geliebte, Op. 98 (1816) Text By - Friedrich August Kleinschmid | 14:54 | |
87-28 | Ruf Vom Berge, WoO 147 (1816) Text By - Georg Friedrich Treitschke | 1:56 |
87-29 | So Oder So, WoO 147 (1817) Text By - Karl Lappe | 1:55 |
87-30 | Resignation, WoO 149 (1814-15) Text By - Paul Von Haugwitz | 2:30 |
87-31 | Abendlied Unter Gestirnetn Himmel, WoO 151, Hess 132 (1823) Text By - Heinrich Goeble | 4:35 |
87-32 | Der Edle Mensch Sei Hülfreich Und Gut, WoO 151, Hess 132 (1823) Text By - Johann Wolfgang von Goethe | 0:36 |
87-33 | Auf, Freunde, Singt Dem Gott Der Ehen (2nd Version), WoO 105, Hess 124 'Hochzeitslied' (Sung In German) Text By - Anton Joseph Stein | 1:29 |
87-34 | Auf, Freunde, Singt Dem Gott Der Ehen (1st Version), WoO 105, Hess 125 'Hochzeitslied' (Sung In German) (1819) Text By - Anton Joseph Stein | 1:57 |
87-35 | Der Kuss, Op. 128 (1822) Text By - Christian Felix Weiße | 1:54 |
Miscellaneous Lieder And Alternative Versions | ||
88-1 | Neue Liebe, Neues Leben, WoO 127, Hess 136 (1798) Text By - Johann Wolfgang von Goethe | 2:36 |
88-2 | An Henrietten, 'Traute Henriette', Hess 151 (C. 1790-92) (Completed For Voice And Piano) Arranged By [Completed By] - A. Orel Text By - Ludwig Heinrich Christoph Hölty | 0:49 |
88-3 | Erlkönig, WoO 131, Hess 148 (Probably 1796/97) Arranged By [Completed By] - Reinhold Becker Text By - Johann Wolfgang von Goethe | 3:16 |
88-4 | Klage, WoO 113 (1st Version) (1790) Text By - Ludwig Heinrich Christoph Hölty | 1:55 |
88-5 | In Questa Tomba Oscura, WoO 133 (1st Version) (1805) Text By - Giuseppe Carpani | 3:07 |
Sehnsucht, WoO 134 'Nur Wer Die Sehnsucht Kennt' (1808) Text By - Johann Wolfgang von Goethe | ||
88-10 | Lied Aus Der Ferne, WoO 138 (1st Version) (1809) Text By - Christian Ludwig Von Reissig | 2:26 |
Egmont, Op. 84: Freudvoll Und Leidvoll (1809/10) Text By - Johann Wolfgang von Goethe | ||
88-14 | Schwinge Dich In Meinem Dom, Hess 137 (C. 1795-97) Reconstructed As Ich Wiege Dich In Meinem Arm) Arranged By [Reconstructed By] - A.W. Holsbergen Text By - Friedrich Wilhelm August Schmidt | 5:17 |
Dimmi, Ben Mio, Che M'Ami, Hess 140 Text By - Anonymous | ||
88-17 | 6 Songs, Op. 48: No. 6. Busslied (With Another Version Of Bars 102-113, Hess 141) (1801/02) Text By - Christian Fürchtegott Gellert | 4:51 |
88-18 | Wonne Der Wehmut, Hess 142 (1st Version Of Op. 83, No. 1) (1810) Text By - Johann Wolfgang von Goethe | 2:33 |
88-19 | Feuerfarb, Hess 144 (1st Version Of Op. 52, No.2) (1792) Text By - Sophie Mereau | 3:07 |
88-20 | Opferlied, Hess 145 (Sketch Of 1st Setting, WoO 126, Version For Voice And Piano) (1796) Text By - Friedrich von Matthisson | 2:57 |
88-21 | 6 Songs, Op. 75: No. 4 Gretels Warnung (1st Version) (Presumably 1795) Text By - Gerhard Anton von Halem | 0:55 |
88-22 | Opferlied, Hess 91 (2nd Setting, Op. 121b, Version For Voice, Choir And Piano) (1824-25) Text By - Friedrich von Matthisson | 5:17 |
88-23 | Die Laute Klage, WoO 135 (1st Version) (C. 1814-15) Text By - Johann Gottfried Herder | 2:06 |
88-24 | 6 Songs, Op. 48: No.3. Vom Tode (1st Version) (1798-99) Text By - Christian Fürchtegott Gellert | 1:08 |
Works For Voice And Orchestra | ||
89-1 | Prüfung Des Küssens, WoO 89 'Meine Weise Mutter Spricht' (1792) Text By - Klamer Eberhard Karl Schmidt | 5:36 |
89-2 | Mit Mädeln Sich Vertragen, WoO 90 (1792) Text By - Johann Wolfgang von Goethe | 4:11 |
89-3 | Erste Liebe, Himmelslust 92 (Sung In Italian As Primo Amore, Piacer Del Ciel) (1792) Text By [Original German Text] - Gerhard Anton von Halem Translated By [Italian Sung Text Translator] - Anonymous | 15:53 |
2 Arias For Umlauf's Singspiel Die Schöne Schusterin, WoO 91 (1795) Text By [Probably] - Gottlieb Stephanie Der Jüngere | ||
89-6 | Ah! Perfido, Op. 65 (Recitative: Ah! Perfido - Aria: Par Pietà, Non Dirmi Addio) (1796) Text By [Aria] - Anonymous Text By [Recitative] - Pietro Metastasio | 13:37 |
89-7 | No, Non Turbati, WoO 92a (1802) Text By - Pietro Metastasio | 6:50 |
89-8 | Ne' Giorni Tuoi Felice, WoO 93, Hess 120 (C. 1802-03) Text By - Pietro Metastasio | 7:51 |
89-9 | Tremate, Empi, Tremate, Op. 116 (1802-03) Text By - Giovanni De Gamerry | 9:02 |
89-10 | Elegischer Gesang, Op. 118 (C. 1814) Arranged By [Attrib.] - Ignatz Franz Castelli Text By - Anonymous | 6:54 |
Canons And Musical Jokes | ||
90-1 | Herr Graf, Ich Komme Zu Fragen, WoO 221, Hess 279 (C. 1796-97) (Arr. For Choir And Piano) Arranged By [Arr.] - T. Holmes (2) Text By - Ludwig van Beethoven | 1:50 |
90-2 | Kurz Ist Der Schmerz, WoO 163 (1813) Text By - Friedrich Schiller | 1:06 |
90-3 | Languisco E Moro, Hess 229 (Arr. From J. Mattheson's Der Vollkommene Capellmeister, Part III Chapter 14: Ungzwungener Gebrauch Der Übermässigen None For 2 Voices) (1803) Author - Johann Mattheson Text By - Anonymous | 0:40 |
90-4 | Languisco E Moro, Hess 229 (Arr. From J. Mattheson's Der Vollkommene Capellmeister, Part III Chapter 14: Ungzwungener Gebrauch Der Übermässigen None For Voice And Piano) (1803) Author - Johann Mattheson Text By - Anonymous | 1:03 |
90-5 | Lob Auf Den Dicken Schuppanzigh, WoO 100, Hess 278 (1801) Text By - Ludwig van Beethoven | 0:37 |
90-6 | Graf, Graf, Liebster Graf, WoO 101, Hess 279 (?1802) Text By - Ludwig van Beethoven | 0:41 |
90-7 | Im Arm Der Liebe Ruht Sich's Wohl, WoO 159 (1795) Text By - Hermann Wilhelm Franz Ueltzen | 1:37 |
90-8 | Freundschaft Ist Die Quelle Wahrer Glückseligkeit, WoO 164 (1814) Text By - Ludwig van Beethoven | 1:17 |
90-9 | Glück Zum Neuen Jahr!, WoO 165 (1815) Text By - Ludwig van Beethoven | 0:35 |
90-10 | Kurz Ist Der Schmerz, WoO 166 (1815) Text By - Friedrich Schiller | 1:31 |
90-11 | Das Schweigen, WoO 198, No. 1 (1815-16) Text By - Johann Gottfried Herder | 1:23 |
90-12 | Das Reden, WoO 168, No. 2 (1815-16) Text By - Anonymous | 1:36 |
90-13 | Ich Küsse Sie, WoO 169, Hess 250 (1816) (Arr. For Voice And Choir) Arranged By [Arr.] - T. Holmes (2) Text By - Ludwig van Beethoven | 0:59 |
90-14 | Ars Longa, Vita Brevis, WoO 170, Hess 251 (1815/16) (Arr. For Choir) Arranged By [Arr.] - T. Holmes (2) Text By [Taken From The Beginning Of The Aphorisms] - Hippocrates | 0:59 |
90-15 | Glück Fehl' Dir Vor Allem, MH 582 (Attrib. To L. Van Beethoven As WoO 171, Hess 252) (1795) Arranged By [Attrib. To] - Ludwig van Beethoven Composed By - Michael Haydn Text By - Anonymous | 0:51 |
90-16 | Hol Euch Der Teufel! B'hüt' Euch Gott!, WoO 173, Hess 253 (1819) Text By - Ludwig van Beethoven | 0:42 |
90-17 | Glaube Und Hoffe, WoO 174 (1819) Text By - Ludwig van Beethoven | 0:31 |
90-18 | Glück, Glück Zum Neuen Jahr!, WoO 176 (1819) Text By - Ludwig van Beethoven | 1:01 |
90-19 | Seiner Kaiserlichen Hoheit! - Alles Gute, Alles Schöne, WoO 179 (1820) Text By - Ludwig van Beethoven | 1:34 |
Sankt Petrus War Ein Fels? - Bernardus War Ein Sankt?, WoO 175, Hess 255 (1819-20) Text By [Texts] - Ludwig van Beethoven | ||
90-22 | Hoffmann, Sei Ja Kein Hofmann, WoO 180 (1820) Text By - Ludwig van Beethoven | 0:53 |
90-23 | Gedenket Heute An Baden!, WoO 181, No. 1 (1822) Text By - Ludwig van Beethoven | 1:03 |
90-24 | Gehabt Euch Wohl!, WoO 181, No. 3, Hess 258 (1822) Text By - Ludwig van Beethoven | 0:50 |
90-25 | Tugend Ist Kein Leerer Name, WoO 181, No. 3, Hess 259 (1822) Text By - Ludwig van Beethoven | 0:49 |
90-26 | O Tobias!, WoO 182 (1821) Text By - Ludwig van Beethoven | 0:34 |
90-27 | Bester Herr Graf, Sie Sind Ein Schaf!, WoO 183, Hess 261 (1823/24) Text By - Ludwig van Beethoven | 0:37 |
90-28 | Falstafferei, Lass Disch Sehen!, WoO 184, Hess 262 (1823) Text By - Ludwig van Beethoven | 1:29 |
90-29 | Edel Sei Der Mensch, Hülfreich Und Gut, WoO 185 (1823) Text By - Johann Wolfgang von Goethe | 2:24 |
90-30 | Te Solo Adoro, Hess 263 (Sketch Of WoO 186) (Probably 1824 Or Earlier) Text By - Pietro Metastasio | 0:46 |
90-31 | Te Solo Adoro, Hess 264 (Sketch Of WoO 186) (Probably 1824 Or Earlier) Text By, Text By [Probably] - Pietro Metastasio | 0:45 |
90-32 | Te Solo Adoro, Hess 263, WoO 186 (1824) Text By - Pietro Metastasio | 0:51 |
90-33 | Schwenke Dich Ohne Schwänke!, WoO 187 (1824) Text By - Ludwig van Beethoven | 1:03 |
90-34 | Gott Ist Eine Feste Burg, WoO 188, Hess 265 (1825) Text By - Ludwig van Beethoven | 0:33 |
90-35 | Das Schöne Zu Dem Guten, WoO 203, Hess 272 (1825) Text By - Friedrich von Matthisson | 0:22 |
90-36 | Doktoer Sperrt Das Tor Vor Dem Tod, WoO 189, Hess 266 (1825) Text By - Ludwig van Beethoven | 1:06 |
90-37 | Ich War Hier, Doktor, Ich War Hier, WoO 190, Hess 267 (1825) Text By - Ludwig van Beethoven | 0:37 |
90-38 | Kühl, Nicht Lau, WoO 191 (1825) Text By - Ludwig van Beethoven | 1:02 |
90-39 | Ars Longa, Vita Brevis, WoO 192, Hess 268 (1825) Text By - Hippocrates | 0:40 |
90-40 | Si Non Per Portas, WoO 194 (1825) Text By - Ludwig van Beethoven | 0:41 |
90-41 | Holz Geigt Die Quartette So (Attrib. To L. Van Beethoven As WoO 204, Hess 284) (1825) Arranged By [Attrib. To] - Ludwig van Beethoven Composed By - Karl Holz Text By - Ignatz Franz Castelli | 0:30 |
90-42 | Freu Dich Des Lebens, WoO 195 (1825) Text By - Johann Martin Usteri | 0:43 |
90-43 | Esel Aller Esel, WoO 227, Hess 277 (1826) Text By - Ludwig van Beethoven | 0:35 |
90-44 | Es Muss Sein!, WoO 196, Hess 270 (Probably 1826) Text By - Ludwig van Beethoven | 0:55 |
90-45 | Das Ist Das Werk, WoO 197, Hess 271 (Before 1826) Text By - Ludwig van Beethoven | 0:53 |
90-46 | Wir Irren Allesamt, WoO 198, Hess 280 (C. 1826) Text By [Probably] - Georg Christoph Lichtenberg | 0:46 |
90-47 | Ewig Dein, WoO 161 (Probably 1810) Text By [Probably] - Ludwig van Beethoven | 1:24 |
90-48 | Brauchle, Linke, WoO 167, Hess 249 (Probably 1815) Text By - Ludwig van Beethoven | 0:38 |
90-49 | Ich Bitt' Dich, Schreib' Mir Die Es-Scala Auf, WoO 172 (Probly Between 1813-15 and About 1824) Text By [Probably] - Ludwig van Beethoven | 0:49 |
90-50 | Bester Magistrat, Ihr Friert!, WoO 177, Hess 257 (Probably Between 1818 and 1820) Text By - Ludwig van Beethoven | 0:52 |
90-51 | Signor Abate!, WoO 178 (C. 1820) (Arr. For Choir And Piano) Arranged By [Arr.] - T. Holmes (2) Text By - Ludwig van Beethoven | 1:39 |
90-52 | Ars Longa, Vita Brevis, WoO 193, Hess 269 (Possibly 1825) Text By - Hippocrates | 0:34 |
90-53 | Ich Bin Der Herr Von Zu, WoO 199, Hess 281 (1814) Text By - Ludwig van Beethoven | 0:45 |
90-54 | Ich Bin Bereit! - Amen, WoO 201, Hess 282 (After 1818) (Arr. For Choir) Arranged By [Arr.] - T. Holmes (2) Text By - Ludwig van Beethoven | 0:38 |
90-55 | Das Schöne Zum Guten, WoO 202, Hess 283 (1823) Text By - Friedrich von Matthisson | 0:22 |
Mehrstimmige Italienische Gesänge, WoO 99 (1801-02) Text By [Texts] - Pietro Metastasio |
dispatched in | 24 hours |
format | CD |
year of release | 2019 |
condition | new |
genre | Classical |
artist | Ludwig van Beethoven |
label | Grand Piano (2),Naxos,Capriccio (2),Dynamic (4),Brilliant Classics B. V.,VOX (6) |
Country | UK, Europe & US |
Recently In Stock | Yes |
Forthcoming | No |
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