Protomartyr Hotel Usona VINYL LP - COLOURED GOLD
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We expect to be able to dispatch this around: 2026-10-09Fast Delivery Australia Wide
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We expect to be able to dispatch this around: 2026-10-09| Artist: | Protomartyr, Protomartyr |
| Title: | Protomartyr Hotel Usona indies EXCLUSIVE LIMITED GOLD VINYL LP |
| Released: | 25/09/2026 |
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Please note this release date may be subject to change and also stock arrival can be subject to delays, in particular if this is an overseas release. |
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| Format: | VINYL LP - COLOURED GOLD |
| Country | EU/US |
| Barcode: | 887828057139 |
| Catalogue number: | WIGLP571X |
| Store location: | pre-order |
| SKU: | WLF26029 |
| Condition: | NEW |
| The items we sell are brand new and unused official releases supplied to us by record companies, unless stated otherwise in the listing. Generally all items are sealed (this will be stated in the listing title). Occasionally we may open an LP to confirm any colour variant. We sometimes sell used items, this will be shown in the listing. | |
| Categories: | Pre-order Highlights , Orders Due Now , Releases Announced week ending: 21-8-2026 |
Recorded with legendary producer Dave Fridmann (Nick Cave, MGMT, The Flaming Lips) at his own Tarbox Road Studios in western New York, Hotel Usona—Protomartyr's seventh full-length studio album—is an effort that finds the Detroit post-punk outfit reckoning with the horrors of our current moment. Over the last two decades, Protomartyr—vocalist Joe Casey, drummer Alex Leonard, bassist Scott Davidson, guitarist-multi-instrumentalist and co-producer Greg Ahee—have built one of the most rewarding and often exhilarating bodies of work in recent memory by veering in and out of darkness, grappling with what most frightens us, saddens us, disgusts us, embarrasses and enrages us. Casey has imagined his country as an aging hotel here, each song a room haunted by its own troublesome guest: the slow paralysis of modern life ("Sounds We Cannot Hear"), AI ("Feed the Sewer"), deportation ("Third Country"), warped patriotism ("Exalted Eagles"), violence ("The Knife Dream"), JD Vance ("Converts"), and the often unbearable weight of becoming a father anyway ("Checking Out"). Musically, Ahee has built worlds within a world, drawing new influence from the Middle East and '50s exotica, finding common ground between dread and joy. All of it—Leonard's drumming in particular—is rendered more tangible and terrifying by Fridmann, whose son, Jon, contributes horns. Limited edition gold vinyl pressing with 24pg zine and 24"x24" poster.
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