| 1 | / | 1 | How Beautiful Is the Princess Salome Tonight! - Zednik, Zednik |
| 1 | / | 2 | One Coming After Me |
| 1 | / | 3 | I Will Not Stay |
| 1 | / | 4 | Behold, the Lord Has Come |
| 1 | / | 5 | Not Cry, You Land of Palestine |
| 1 | / | 6 | Will You Do That for Me |
| 1 | / | 7 | Where Is He, Whose Sin Cupful Now? |
| 1 | / | 8 | Iokanaan I'm in Love with Your Body |
| 1 | / | 9 | Will You Not Afraid, Daughter of Herodias? |
| 1 | / | 10 | Where Is Salome? Where Is the Princess? |
| 1 | / | 11 | It's Cold in Here |
| 1 | / | 12 | Salome, Come, Drinking Wine with Me |
| 1 | / | 13 | Behold, the Time Has Come |
| 1 | / | 14 | Truly, Sir, It Would Be Better |
| 1 | / | 15 | Behold, the Day Is Near |
| 2 | / | 16 | A Lot of People Will Face Collect |
| 2 | / | 17 | Dance for Me, Salome |
| 2 | / | 18 | Dance of the Seven Veils |
| 2 | / | 19 | Ah! Gorgeous! Wonderful! Wonderful! |
| 2 | / | 20 | Still, Do Not Talk to Me! |
| 2 | / | 21 | Salome, Bedenk What You Want to Do |
| 2 | / | 22 | Who Hzat My Ring Taken? |
| 2 | / | 23 | It Is Not a Sound to Be Heard |
| 2 | / | 24 | Ah! You Wanted Me Do Not Kiss Your Mouth Let |
| 2 | / | 25 | It Is a Monster, Your Daughter |
| 2 | / | 26 | Ah! I Kissed Your Mouth, Jochanaan |
| 3 | / | 27 | Where Is Electra? - Winkler, Hermann |
| 3 | / | 28 | I Drive Out Before You Take Me Downing |
| 3 | / | 29 | Alone! Alas, All Alone |
| 3 | / | 30 | Elektra! Ah, That Face! |
| 3 | / | 31 | I Can Not Sit and Stare Dark Ins |
| 3 | / | 32 | It Goes a Lot of Noise |
| 3 | / | 33 | What Do You Want? Behold, There! |
| 3 | / | 34 | I Do Not Have Good Nights |
| 3 | / | 35 | You Let the Brother Not Come Home, Mother? |
| 3 | / | 36 | What Must Bleed? |
| 3 | / | 37 | Everything Is Silent, You Can Hear Your Own Heart |
| 3 | / | 38 | Orest! Orestes Is Dead! |
| 4 | / | 39 | 1st Place Since! |
| 4 | / | 40 | Now It Must of Us Here Gescheh'n |
| 4 | / | 41 | How Strong You Are |
| 4 | / | 42 | From Now on, I Will Your Sister His |
| 4 | / | 43 | Cursed |
| 4 | / | 44 | What Do You Want, Stranger? |
| 4 | / | 45 | The Dogs in the Yard Recognize Me |
| 4 | / | 46 | It Stirs Nobody! |
| 4 | / | 47 | You'll Do? |
| 4 | / | 48 | You Are Crazy |
| 4 | / | 49 | I Gave Him the Ax Can Not Give! |
| 4 | / | 50 | There Must Be Something Gescheh'n His |
| 4 | / | 51 | Hey! Lights! Lights! |
| 4 | / | 52 | Help! Murderer! |
| 4 | / | 53 | Elektra! Sister! |
| 4 | / | 54 | Whether I Can Not Hear? |
| 4 | / | 55 | Take Away Like the Edge of the Sword |
| 4 | / | 56 | Be Silent, and Dance |
| 5 | / | 57 | Introduction (Act 1) - Guardian, Eberhard |
| 5 | / | 58 | How You Been? How You Are! |
| 5 | / | 59 | You Laugh at Me?... I Laugh You Out? |
| 5 | / | 60 | The Field Marshal Sits in Krowatischen Forest |
| 5 | / | 61 | Quinquin, It Is Visit |
| 5 | / | 62 | SelbnstverstΣndlich EmpfΣangt Me Your Ladyship |
| 5 | / | 63 | Your Grace Perhaps Surprised His Will |
| 5 | / | 64 | We Then Pull the Palais from Faninal |
| 5 | / | 65 | She Has Already Once with a Gentleman |
| 5 | / | 66 | Gave Me Your Grace the Grasaff 'Da |
| 5 | / | 67 | I Come 'Sliding'... Three Arms, Aristocrat Orphans |
| 5 | / | 68 | Di Rigori Armato Il Seno |
| 5 | / | 69 | As a Dowry, Full Separatim However |
| 5 | / | 70 | My Dear Hippolyte |
| 5 | / | 71 | There He Goes, the Aufgeblasne, Bad Guy |
| 5 | / | 72 | Oh, You're Back? |
| 5 | / | 73 | Oh, Be It Good, Quinquin |
| 5 | / | 74 | The Time Basically, Quinquin |
| 5 | / | 75 | My Beautiful Treasure |
| 5 | / | 76 | Quinquin, He Should Now Geh'n |
| 5 | / | 77 | I Have Not Even Kissed Him |
| 6 | / | 78 | A Serious Day, a Great Day (Act 2) |
| 6 | / | 79 | In This Solemn Hour of Trial |
| 6 | / | 80 | To Me the Honor Befall |
| 6 | / | 81 | Has a Strong Smell Like Roses |
| 6 | / | 82 | Where Was I Before and Was So Blessed? |
| 6 | / | 83 | I Know Him Quite Well |
| 6 | / | 84 | But Now Comes My Lord Future |
| 6 | / | 85 | Convenience Now Maybe... Is An Old Tokay |
| 6 | / | 86 | Should Like to Know What Ye of Me and Him |
| 6 | / | 87 | If the Man Image Since Marriages |
| 6 | / | 88 | With Your Eyes Full of Tears |
| 6 | / | 89 | Baron Von Lerchenau! |
| 6 | / | 90 | I Hoff ', He Comes with Me Now Rather Behind the House |
| 6 | / | 91 | It Must Me Pardo Kidney |
| 6 | / | 92 | Marriage 'The Lord There Not Alive and Not Dead! |
| 6 | / | 93 | As I Lie! |
| 6 | / | 94 | And Yet, Laugh, How Such a Bitch |
| 6 | / | 95 | Without Me Without Me Every Day You to Bang |
| 6 | / | 96 | Very Good, Herr Kavalier |
| 7 | / | 97 | Introduction (Act 3) |
| 7 | / | 98 | Pantomime |
| 7 | / | 99 | Hab'n Your Grace Still Other Commands? |
| 7 | / | 100 | No, No, No, No! I Drinking 'No Wine |
| 7 | / | 101 | The Beautiful Musi |
| 7 | / | 102 | Makes You the Wine Is Not Always Like This? |
| 7 | / | 103 | It Is He! It Is My Husband! |
| 7 | / | 104 | Stop! No One Stirs! |
| 7 | / | 105 | In Order to Place! What You Want from Me? |
| 7 | / | 106 | The Bride! Oh, What a Scandal! |
| 7 | / | 107 | Are the Sooner the Clear! |
| 7 | / | 108 | Am Happy About Moderation |
| 7 | / | 109 | He Sees, Commissioner, the Whole Thing Was a Farce Maintenance |
| 7 | / | 110 | Bin Charmiert As Much Finesse |
| 7 | / | 111 | Leupold, Let's Go! |
| 7 | / | 112 | My God, It Was Nothing More Than a Farce |
| 7 | / | 113 | Today or Tomorrow or the Next Day |
| 7 | / | 114 | As Fast As She Has It So Very Dear? |
| 7 | / | 115 | Marie Theres'! Did Mir's Praise |
| 7 | / | 116 | Is a Dream That Can Not Be Really... Tracer 'Only You |
| 7 | / | 117 | Are Maintenance Aso, the Boys Leut '! |
| 7 | / | 118 | Is a Dream That Can Not Be Really... Tracer 'Only You |
| 8 | / | 119 | Overture - Zylis-Gara, Teresa |
| 8 | / | 120 | My Lord Steward! (Prologue) |
| 8 | / | 121 | Dear Friend! |
| 8 | / | 122 | Change O, I Should Like Much |
| 8 | / | 123 | This! for a Bacchus! |
| 8 | / | 124 | Only After the Opera Come Us Remember |
| 8 | / | 125 | In My Opera? |
| 8 | / | 126 | My Partner! |
| 8 | / | 127 | The Gentlemen Standing Up from the Table! |
| 8 | / | 128 | I Do Not Know |
| 8 | / | 129 | No, Sir, So Does Not There |
| 8 | / | 130 | Child Head! Noted on |
| 8 | / | 131 | At Your Seats, Ladies and Gentlemen! |
| 9 | / | 132 | Overture (Act 1) |
| 9 | / | 133 | You Asleep? |
| 9 | / | 134 | Oh! Where Was I? |
| 9 | / | 135 | A Lovely War, Was Named Theseus-Ariadne |
| 9 | / | 136 | Oh, So Tempt But a Little Song! |
| 9 | / | 137 | There Is a Kingdom |
| 9 | / | 138 | The Lady Is with a Sad Sense |
| 9 | / | 139 | Gr÷âmΣchtige Princess |
| 9 | / | 140 | Pretty Preached! |
| 9 | / | 141 | A Beautiful Miracle! |
| 9 | / | 142 | Circe, Circe, Can You Hear Me? |
| 9 | / | 143 | You Beautiful Nature! |
| 9 | / | 144 | Am I a God |
| 9 | / | 145 | There Is No Crossing Over? |
| 10 | / | 146 | Light âbern Lake (Act 1) - Vinzing, Ute |
| 10 | / | 147 | Nurse! What Are You Doing? |
| 10 | / | 148 | Out with You! |
| 10 | / | 149 | How Should I Not Cry? |
| 10 | / | 150 | Nurse, Everything, Where Will I Find the Shade? |
| 10 | / | 151 | Scene Change |
| 10 | / | 152 | Thief! Since Take! |
| 10 | / | 153 | From the Home, and the Forever |
| 10 | / | 154 | Third Half Am I Your Wife |
| 10 | / | 155 | What Are You Doing Here ? |
| 10 | / | 156 | But I Poor Woman, I Have No Mirror! |
| 10 | / | 157 | Does It Make You Tasted Bloody Tears |
| 10 | / | 158 | You Are Not Alone |
| 10 | / | 159 | I Wear Goods Yourself to Market |
| 10 | / | 160 | Your Husband in the Houses This City |
| 11 | / | 161 | Come Soon to Be Home, My Lord (Act 2) |
| 11 | / | 162 | Oh! Woe! That They Meet Mussen |
| 11 | / | 163 | Scene Change |
| 11 | / | 164 | Falcon, Hawk, You Rediscovered |
| 11 | / | 165 | There Are Those Who Always Have Time |
| 11 | / | 166 | Snake, What Have I with You to Create |
| 11 | / | 167 | Ah! Woe to Me Where! Traitors - a Craft You Understand Not Sure |
| 11 | / | 168 | Who Goes There?... I, O My Lord, Your Servant! |
| 11 | / | 169 | To Life Water! to Death's Door! |
| 11 | / | 170 | Alas, My Husband! |
| 11 | / | 171 | It Darkens, I Do Not See to Work |
| 11 | / | 172 | There Are Those Who Always Stay Let |
| 11 | / | 173 | The Woman Is Insane |
| 11 | / | 174 | Barak, I Did Not Do It! |
| 12 | / | 175 | Be Silent, However, Your Votes! (Act 3) |
| 12 | / | 176 | Entrusted to Me, That I Hege |
| 12 | / | 177 | To, Go Up, Man |
| 12 | / | 178 | Away from Here! |
| 12 | / | 179 | Out of Our Deeds Enters Court! |
| 12 | / | 180 | What People Should Be Addressed? |
| 12 | / | 181 | The Name of the Lord? |
| 12 | / | 182 | Woe to Us, the Poor! Die, Die! |
| 12 | / | 183 | Father, Is That You? |
| 12 | / | 184 | Golden Potion, Water of Life |
| 12 | / | 185 | But Soft 'Not I! |
| 12 | / | 186 | When the Heart of Crystal |
| 12 | / | 187 | Listen, We Command You |
| 12 | / | 188 | His Hits Me Loves Me Not |
| 12 | / | 189 | Now I Will Cheer |
| 13 | / | 190 | Anna! Anna! Where's Only the Silly Goose? (Act 1) - Woska, Elisabeth |
| 13 | / | 191 | You Have Everything for the Lord? |
| 13 | / | 192 | Interlude |
| 13 | / | 193 | Now Let's Styling! |
| 13 | / | 194 | Oh Mrs. Huss! Yes, Hello! |
| 13 | / | 195 | Interlude |
| 13 | / | 196 | Railway Free! But, But They Were Too Quick! |
| 13 | / | 197 | I Can Not - Ball at Grundlseewirt |
| 13 | / | 198 | Interlude |
| 13 | / | 199 | Do You Know, My Man Who Always Sits at Work |
| 13 | / | 200 | Interlude |
| 13 | / | 201 | It Really Is a Very Nice, Humble Man Monster |
| 13 | / | 202 | Ha, Ha, Ha, Ha. the Captain Crash Has Filed His Resignation |
| 13 | / | 203 | A Handsome Man!... Interlude |
| 13 | / | 204 | Ms Notar! Can You Give Me Up to My Luggage? |
| 13 | / | 205 | Thousand Marks He Wants! |
| 13 | / | 206 | Interlude - My Dear, Dear Bubi! I Am So Terribly Unhappy |
| 14 | / | 207 | Oh, You Do Not Know, Mr. Justice! (Act 2) |
| 14 | / | 208 | Chose Damn! Mrs Christine If Romp! - Postlude |
| 14 | / | 209 | Good Day, Mr. Notary |
| 14 | / | 210 | Interlude |
| 14 | / | 211 | It's Just Maddening! |
| 14 | / | 212 | Postlude |
| 14 | / | 213 | Introduction |
| 14 | / | 214 | Ah! Anna! I Had the Baron, But Not Go Send Shall |
| 14 | / | 215 | Interlude |
| 14 | / | 216 | He Comes! Lord, How I Am Happy! |
| 14 | / | 217 | As I Am Madam! |
| 14 | / | 218 | It Is Certainly Not a Crook |
| 15 | / | 219 | Potpourri - Scovotti, Jeanette |
| 15 | / | 220 | Egg, the Honor That Honor! (Act 1) |
| 15 | / | 221 | Rest? Why Should I Keep Quiet? |
| 15 | / | 222 | Ha! a Silent Woman! An Ocean Without Salt? |
| 15 | / | 223 | It Is Evening, the Oven Freezes Cold |
| 15 | / | 224 | Ah! My Stock! |
| 15 | / | 225 | Small Humoristischer March - That Your Troops? Your Soldiers? |
| 15 | / | 226 | Rest! Rest in My House! |
| 15 | / | 227 | Oh God, That Was a Sour Reception |
| 15 | / | 228 | As in the Basement Steh'n Altmulig Boxes |
| 15 | / | 229 | Not at Me, at Me, Lover, Think |
| 15 | / | 230 | Very Righteous Thought, Young Men |
| 15 | / | 231 | Now, My SchzΣtzchen, Did Not One of You Desire |
| 15 | / | 232 | Hah!... What?... I Can Think of Something! |
| 15 | / | 233 | Are You Ready?... Yes, We Want to Try |
| 16 | / | 234 | Introduction - the Parade Skirt with Gilded Cords (Act 2) |
| 16 | / | 235 | Your Grace Obedient Servant! |
| 16 | / | 236 | Only One Let Ask You |
| 16 | / | 237 | Well You Do, Head to Tilt |
| 16 | / | 238 | Depending Ui, I Have An Anxiety |
| 16 | / | 239 | This Is a Young Lady |
| 16 | / | 240 | Permit Me to You Yet, Miss Noble Present! |
| 16 | / | 241 | It Is the Law! |
| 16 | / | 242 | So Silent, My Child, and Still So Shy? |
| 16 | / | 243 | Egg, Egg, How Quickly the Arcanum Works! |
| 16 | / | 244 | Allow Anhiero I, High Honorable Gentlemen |
| 16 | / | 245 | I Thank You, Reverend, and You, Blessed Lord |
| 16 | / | 246 | Potz Deubel, So Did the Old Hur 'This Time Not Fib |
| 16 | / | 247 | Take's Not As Strict As It Seems |
| 16 | / | 248 | You're So Quiet and Seem Oppression! |
| 16 | / | 249 | Rest! Have I Told You !!! |
| 16 | / | 250 | What's Going on Here? Are the Turks in the House? |
| 16 | / | 251 | You See, Uncle, This Is the Right Way |
| 16 | / | 252 | Aminta Aminta! You Sweetest Angel |
| 17 | / | 253 | Introdution (Act 3) |
| 17 | / | 254 | Here, the Mirror, Here the Consoles |
| 17 | / | 255 | L'inconorazione Di Poppea... Sento Un Certo Non So Che |
| 17 | / | 256 | Dolce Amor! |
| 17 | / | 257 | His Illustrious Lordship |
| 17 | / | 258 | With Reverence! Many Noble Lady! |
| 17 | / | 259 | My Lord... Two Bodies Are Approached with Distinguished Gentlemen! |
| 17 | / | 260 | My Submissesten Respect |
| 17 | / | 261 | Can You Testify That Lady Morosus Handling Had with Another Man As Sir Morosus? |
| 17 | / | 262 | Your Honor, I Have Another Witness Ready |
| 17 | / | 263 | You Really Want to Do Not Know Me? |
| 17 | / | 264 | Finally, I Am Your Ledig! |
| 17 | / | 265 | Ohm Expensive! I Can No Longer Your Distress and Worry Gaze |
| 17 | / | 266 | How? What? Comrades |
| 17 | / | 267 | Your Hostile Recorded |
| 17 | / | 268 | How Beautiful Is But the Music |
| 18 | / | 269 | Do What Geseh'n? - Morning Dawns - Wulkopf, Cornelia |
| 18 | / | 270 | La Rosa, la Rosa Che Un Bel Fiore |
| 18 | / | 271 | Hunger! Hunger! |
| 18 | / | 272 | Here Is Caesar Floor |
| 18 | / | 273 | Victory! What a Beacon |
| 18 | / | 274 | (War!)... My Commander! |
| 18 | / | 275 | Silence! Here in My Hand |
| 18 | / | 276 | It Should Be! But Listen |
| 18 | / | 277 | Your Old Have in Some Battle |
| 18 | / | 278 | At Magdeburg Reiterschlacht |
| 18 | / | 279 | Go, Go All! |
| 18 | / | 280 | How? No One Here? |
| 18 | / | 281 | Only One Here in This Wild Tower |
| 18 | / | 282 | Well I Durft You the Whole Armor of Solving |
| 18 | / | 283 | No-Emptiness Hope Everything! |
| 18 | / | 284 | In An Hour Disappears This Town |
| 18 | / | 285 | War, Terrible Strangler - War, Glorious Thought |
| 18 | / | 286 | Desired Characters! |
| 18 | / | 287 | No, Not Death Fog! |
| 18 | / | 288 | The Enemy, the Enemy! |
| 18 | / | 289 | The Character That Character |
| 18 | / | 290 | March... Where Is the Man |
| 18 | / | 291 | Listen, Commander |
| 18 | / | 292 | Beloved, Not the Sword! |
| 18 | / | 293 | Why We Fought Years |
| 18 | / | 294 | Dare to Think |
| 19 | / | 295 | Introduction - Kleontes! Adrast! Where Are You? - Wirtz, Dorothea |
| 19 | / | 296 | Farewell, Day - O Stay, Beloved Day |
| 19 | / | 297 | Leucippus, You! - Yes, I Myself, I Was the Tree! |
| 19 | / | 298 | Daphne! Mother! We Wait Your! |
| 19 | / | 299 | Egg, to Flies Past - Hear Us, Shepherd |
| 19 | / | 300 | You Are to Me All Your Shepherds? Know, I Saw Him, Phoebus Apollo! |
| 19 | / | 301 | Greetings, Sage, Experienced Fisherman |
| 19 | / | 302 | What Thee Leads Niedern Garb - What Do I See? What Falls There? |
| 19 | / | 303 | How Did You Get Huge, Stranger Hirte - What Can An Expanse Human Eye Inquiring Discretion |
| 20 | / | 304 | This Kiss, This Hugging, You Called Yourself: Brother |
| 20 | / | 305 | Everywhere Flowers Dionysos |
| 20 | / | 306 | Allegretto - O Sel'ge Demons |
| 20 | / | 307 | Drink, O Daughter |
| 20 | / | 308 | Terrible Shame the God! - What Does the Da? - a Character You Want? |
| 20 | / | 309 | To You Now, Boy - Yes, I Confess |
| 20 | / | 310 | Truth? Every Christmas Morning |
| 20 | / | 311 | What Hides So? - Daphne... Playmate... - Sinister Daphne |
| 20 | / | 312 | What I See? Heavenly Beauty - Gods! Brothers in High Olympos! |
| 20 | / | 313 | I Come... I'll, Greening Brothers |
| 21 | / | 314 | Introduction - Guardian, Eberhard |
| 21 | / | 315 | Enchanting Is You Again Today! |
| 21 | / | 316 | With Soft Music Yourself Asleep's Best |
| 21 | / | 317 | A Beautiful Heroine Do You Also Not Disdain |
| 21 | / | 318 | The Stream of Tones Carried Me Fort |
| 21 | / | 319 | The Stage Is Ready, We Can Start |
| 21 | / | 320 | Since You! I Rush to Greet You - She's Right, You Got It Reaches |
| 21 | / | 321 | Declamation: You Go. Dismissed You Already Power |
| 21 | / | 322 | No Andres, the Mir So the Heart Loht - Bravo, Bravo! If You Are Wiklich No Layman |
| 21 | / | 323 | A Philosopher Falls His Conversion Contrary - No Andres, the Mir So the Heart Loht |
| 21 | / | 324 | Leave Him Alone |
| 21 | / | 325 | No Andres, the Mir So the Heart Loht |
| 21 | / | 326 | The Poet's Words As They Lights Clear |
| 21 | / | 327 | How Beautiful the Words... Forgive Me, Madame, I Have Him Abduct |
| 21 | / | 328 | Did I Betray My Feelings! |
| 21 | / | 329 | This Love, Suddenly Born That Afternoon |
| 21 | / | 330 | We Are the Chocolate Salon Here in Oral |
| 21 | / | 331 | What a Delicious Encounter! |
| 21 | / | 332 | We Return to the World of Salons |
| 21 | / | 333 | Dance: Passepied - What Do You Say |
| 21 | / | 334 | Dance: Gigue - I Am Determined |
| 21 | / | 335 | Dance: Gavotte |
| 22 | / | 336 | Your Art Delighted and Inspired Me |
| 22 | / | 337 | Fugue |
| 22 | / | 338 | You Say, at the Moment |
| 22 | / | 339 | Addio, Mia Vita, Addio |
| 22 | / | 340 | I Can to Paris Returning |
| 22 | / | 341 | Will Your Neapolitans Even at My Birthday Party Involvement? |
| 22 | / | 342 | A Comical Incident! |
| 22 | / | 343 | You See Us Surprised By Your Imagination |
| 22 | / | 344 | But Hear! |
| 22 | / | 345 | Hola! Your Fighters in Apollo! |
| 22 | / | 346 | I Serve the Immortals Laws of the Theater |
| 22 | / | 347 | Today, at the Zenith of My Glorious Career... La Roche, You Are Great! |
| 22 | / | 348 | You Have Heard the Warning Voice Build Our Friend |
| 22 | / | 349 | What Stands Out Godlike of High Ether? |
| 22 | / | 350 | Now the Work at Once |
| 22 | / | 351 | I Know a Captivating Topic! |
| 22 | / | 352 | The Incidence Is Delicious |
| 22 | / | 353 | Well Wrapped in Your Coats |
| 22 | / | 354 | That Was a Nice Noise |
| 22 | / | 355 | Mr. Director! Mr Director! |
| 22 | / | 356 | Andante Con Moto |
| 22 | / | 357 | Where Is My Brother? |
| 22 | / | 358 | Tomorrow at Noon at Eleven! |
| 22 | / | 359 | No Andres, the Mir So the Heart Loht |
| 22 | / | 360 | Your Love Does to Meet Me |
| 22 | / | 361 | You Choose the A-You Lose the Other! |
| 22 | / | 362 | You Mirror Image of Lovers Madeleine |
| 22 | / | 363 | Countess, Supper Is Served |
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