Paradise Lost Ascension AMBER VINYL 2 VINYL LP / 7 SET
Fast Delivery Australia Wide
Trackable Shipping
Currently unavailable
Fast Delivery Australia Wide
Trackable Shipping
Currently unavailable
| Artist: | Paradise Lost |
| Title: | Paradise Lost Ascension AMBER VINYL 2 LP / 7" + 12 INCH ART PRINT + 12 PAGE BOOK |
| Released: | 19/09/2025 |
|
Please note this release date may be subject to change and also stock arrival can be subject to delays, in particular if this is an overseas release. |
|
| Format: | AMBER VINYL 2 VINYL LP / 7 SET |
| Country | EU/US |
| Barcode: | 4065629750305 |
| Catalogue number: | NB7503-0 |
| SKU: | WLF23419 |
| Condition: | NEW |
| The items we sell are brand new and unused official releases supplied to us by record companies, unless stated otherwise in the listing. Generally all items are sealed (this will be stated in the listing title). Occasionally we may open an LP to confirm any colour variant. We sometimes sell used items, this will be shown in the listing. | |
| Categories: | Releases Announced week ending: 15-8-2025 |
Five years after the triumphant "Obsidian" (#2 in Germany, #4 Switzerland, #5 Austria), British kings of doom'n'gloom are back! Blending Metallica-esque riffage, Type-O heaviness, and Nick Holmes' vocals between Gahan, Eldritch and death growl, PARADISE LOST and their new album "Ascension" are a shining example that some bands get better with age! "More than three decades into their career, and with over two million albums sold, Paradise Lost remain the undisputed kings of metal’s dark side. Formed in Halifax in 1988, the band quickly became noted as the pioneers of gothic metal through their early groundbreaking albums like 1991’s aptly-titled Gothic, a mixture of heaviness intertwined with shadowy melody and atmosphere. Never a group to remain creatively static, across their career they’ve explored a myriad of avenues of dark music, from sludgy doom-death roots, to conquering the metal mainstream with the enormous, lush sounds of 1995’s Draconian Times, to more experimental, electronic leanings, leaving an influence on a trail of artists as varied as Cradle Of Filth, HIM, Gatecreeper and Chelsea Wolfe. Now, in 2025, the Yorkshire quintet return with their staggering 17th album, Ascension, a record that sees their crown continue to gleam as it underlines just how they attained their position. Produced by guitarist Gregor Mackintosh at Black Planet studios in East Yorkshire, with drums and vocals captured at NBS and Wasteland studios in Sweden, its 10 tracks traverse the multitude of sounds in the band’s arsenal, from full-bore heavy metal to sky-high melody, all the while keeping a minor-key melancholy that remains irresistible. “People should expect us to get more miserable,” jokes frontman Nick Holmes when asked what fans might anticipate from Paradise Lost in 2025. Explaining the album’s title and the lyrics, however, it’s clear that they remain masters of their art when it comes to delivering on such things. “The album title is taken from the belief in rising to the better place, in fiction from Earth to heaven, and all the requirements that go with that,” he elaborates. “In real life, people are often striving to get to a better place from birth, trying to be a better person, regardless of the fact that the only reward is death. “The lyrics deal with everything that life throws at us,” he continues. “It's never predictable, and within that it can also be terrifying. How people deal with death, the crutches they turn to, and how the mental state is affected by life changing situations is always intriguing.” As is the music itself. Album opener Serpent on The Cross begins with a gloriously doomy riff, before halfway through shifting gears into thundering classic metal, powered by double bass drumming and an almost Metallica-ish riff. On Silence Like The Grave, Nick sings “about the pointlessness of war, point scoring for the sake of humankind” over a perfect flourish of gothic metal. Tyrant’s Serenade, meanwhile, shows the band’s engrained expertise with making simplicity sound enormous, topped by Gregor’s signature haunting guitar leads, while Lay A Wreath Upon The World starts as a quiet elegy before building to a mournful climax, and closer The Precipice leads with piano lines before drawing things to a stately conclusion. It all masterfully shows the breadth of what Paradise Lost have done and can do, in a manner that still no other band can make work quite the same.
“After 35 years, everything is conscious,” says Nick. “Its difficult not to be 100% sure of where everything is coming from having such a vast varied back catalogue, but ultimately it simply comes down to if we like the music we are creating or not. If we do, it stays! That hasn't changed since we were teenagers.” Ascension stands proud in Paradise Lost’s canon. The misery never stops but, says Nick, that’s how they like it. “Ironically,” he laughs, “miserable music is always the most enjoyable to listen to, and write I guess.”
Review This Product!
Help other Discrepancy Records users shop smarter by writing reviews for products you have purchased.
Shop visit
Sent In By: Philip on 16 May 2026While in Melbourne last week had the chance to call in on the shop. Another excellent experience. This makes it 3 total exceptional experiences I have had with Discrepancy Records. Online web site easy and ready to use. On the phone polite and super helpful. In person again super helpful and friendly. 5 Star all the way Thanks guys looking forward to next interaction.
Excellent
Sent In By: Dylan on 30 April 2026I have ordered a few records from Discrepancy, have never had any problems. Good service, great range, great packaging, fair prices - highly recommend
Queen II Deluxe Box Set
Sent In By: Peter on 13 April 2026Received parcel today containing the lp/cd version of the Queen II deluxe box set. Excellent packaging as always with the item being in perfect condition. The addition of an outer plastic cover that fits large box sets was very welcome. A master class in customer service which I always get from the team at Discrepancy. Regards. Peter (Sheffield)